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Science fiction weapons


Strange and exotic weapons are a recurring feature or theme in science fiction. In some cases, weapons first introduced in science fiction have now been made a reality. Other science fiction weapons remain purely fictional, and are often beyond the realms of known physical possibility.

At its most prosaic, science fiction features an endless variety of sidearms, mostly variations on real weapons such as guns and swords. Among the best-known of these are the phaser used in the Star Trek television series, films and novels and the lightsaber or laser gun featured in the Star Wars movies, comics, novels and TV series.

In addition to adding action and entertainment value, weaponry in science fiction sometimes become themes when they touch on deeper concerns, often motivated by contemporary issues. One example is science fiction that deals with weapons of mass destruction.

Weapons of early science fiction novels were usually bigger and better versions of conventional weapons, effectively more advanced methods of delivering explosives to a target. Examples of such weapons include Jules Verne's fulgurator and the "glass arrow" of the Comte de Villiers de l'Isle-Adam.

A classic science fiction weapon particularly in British and American science fiction novels and films is the ray gun. A very early example of a ray gun is the Heat-Ray featured in H. G. Wells' The War of the Worlds (1898). The discovery of x-rays and radioactivity in the last years of the 19th century led to an increase in the popularity of this family of weapons, with numerous examples in the early twentieth century, such as the disintegrator rays of George Griffith's future war novel The Lord of Labour (1911). Early science fiction film often showed raygun beams making bright light and loud noise like lightning or large electric arcs. Nikola Tesla's attempts at developing directed-energy weapons, or "death rays", also fueled the imagination of many writers, with death rays featuring in novels like Pierrepont Noyes' The Pallid Giant (1927).


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