Scar the Martyr (album)
| Scar the Martyr | ||
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| Studio album by Scar the Martyr | ||
| Released | October 1, 2013 | |
| Genre | Industrial metal, nu metal, alternative metal | |
| Length | 74:12 | |
| Label | Roadrunner Records | |
| Producer | Rhys Fulber | |
| Singles from Scar the Martyr | ||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Sputnikmusic | (3/5) |
| Renowned for Sound |   |
| Bring the Noise | 8/10 |
Scar the Martyr is the only album by the American metal band Scar the Martyr, released on October 1, 2013.
The album was mostly written by former Slipknot drummer Joey Jordison, who formed the band alongside Blood Promise frontman Henry Derek Bonner in early 2013. Jordison performed all drums, bass and the majority of rhythm guitars on the album before bringing in Chris Vrenna (formerly of Nine Inch Nails and Marilyn Manson) to perform keyboards, and Kris Norris (formerly of Darkest Hour) and Jed Simon (formerly of Strapping Young Lad) to perform lead guitar duties. The first song released from the album, Blood Host, was released on August 2, 2013. The second song, Soul Disintegration, was released alongside the album artwork on August 16, 2013.
The album was met with positive reviews by critics; however, specific aspects of the album's construction and overall tone were met with divided opinions.
Sputnikmusic stated that the album's sound appeared to include many elements from Slipknot, the differences being that Derek’s vocal style is more varied and has not come across as a Corey Taylor clone and that the keyboards used aided in creating eerie atmospheres which aided the industrial sounding guitars, the main set-back being that with the extended length of a relatively small number of tracks, the album was too long and should have been shortened.
Renowned for Sound called the band a "Supergroup" since the band's members, with the exception of Henry Derek, were all prominent musicians prior to the band's formation. The review praised the album's lyrics and the mix of heavy guitar riffs and solos, which followed along to a simple yet very well structured drum beat; however, they stated the role of the keyboards were very minor throughout the album.
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