Scapigliatura

Scapigliatura (Italian: [skapiʎʎaˈtuːra]) is the name of an artistic movement that developed in Italy after the Risorgimento period (1815–1871). The movement included poets, writers, musicians, painters and sculptors. The term Scapigliatura is the Italian equivalent of the French "bohème" (bohemian), literally meaning "unkempt" or "dishevelled".

The term Scapigliatura was derived from the novel La Scapigliatura e il 6 Febbraio by Cletto Arrighi, pen-name of Carlo Righetti (1830–1906), who was one of the forerunners of the movement. The main Italian inspiration of the Scapigliati was the writer and journalist Giuseppe Rovani (1818–1874), author of the novel Cento Anni and the influential aesthetic theories of his essays Le Tre Arti, an anti-conformist and charismatic figure on the fringes of the literary world of Milan, the city where the movement first developed through literary 'cenacles' which met in taverns and cafes. It attracted attention and scandalized the more conservative and Catholic circles of Italy with many pamphlets, journals and magazines like Arrighi's Cronaca Grigia, Antonio Ghislanzoni's Rivista Minima, Cesare Tronconi's Lo Scapigliato and Felice Cavallotti and Achille Bizzoni's Gazzettino Rosa, which challenged the status quo artistically, socially and politically. A wing of the movement became politically active, and known as Scapigliatura Democratica was central to the development of both the Socialist and Anarchist movements, with leaders such as the poet Felice Cavallotti who entered the Italian parliament on the extreme left, and whose libertarian ideals attracted much popular support for his political group, known as the Radicali.

The brotherhood of the scapigliati attempted to rejuvenate Italian culture through foreign influences, notably from German Romanticism (Heine, Jean Paul and E.T.A. Hoffmann), French bohemians Théophile Gautier and Gérard de Nerval and, above all, the poetry of Charles Baudelaire and the works of American writer Edgar Allan Poe. The group also helped with the introduction of Wagner's music into Italy, with musician Franco Faccio (1840–1891) conducting the first Italian performances of Die Meistersinger von Nürnberg.

...
Wikipedia