Sarah (Thin Lizzy song)

"Sarah"
Single cover featuring Phil Lynott
Single by Thin Lizzy
from the album Black Rose: A Rock Legend
B-side	"Got to Give It Up"
Released	20 October 1979
Format	7"
Genre	Pop
Length	3:32
Label	Vertigo
Songwriter(s)	Phil Lynott, Gary Moore
Producer(s)	Tony Visconti and Thin Lizzy
Alternate title
Label of an early pressing of Black Rose featuring the title "My Sarah"

"Sarah" is a pop song released in 1979 by Irish rock group Thin Lizzy, included on their album, Black Rose: A Rock Legend. The song was written by the band's frontman Phil Lynott and guitarist Gary Moore about Lynott's newborn daughter. The song was also issued as a single, and appeared on several compilation albums including Wild One: The Very Best of Thin Lizzy. The song was never performed live by Thin Lizzy, but it was adopted as a live favourite by Lynott's post-Thin Lizzy project, Grand Slam, and featured on Live in Sweden 1983, a recording of Lynott's solo band.

This song is not connected to another Thin Lizzy song entitled "Sarah", written for Lynott's grandmother, from their second album, Shades of a Blue Orphanage.

On early US pressings of Black Rose, the song was incorrectly titled "My Sarah" (pictured).

"Sarah" was recorded at Morgan Studios in Willesden, and Moore completed all the guitar work, with American Mark Nauseef playing drums. Neither of the other members of Thin Lizzy (guitarist Scott Gorham and drummer Brian Downey) played on the song, implying that "Sarah" was originally intended for a Phil Lynott solo album. Another American musician, Huey Lewis, was featured playing distinctive harmonica parts – Lewis had been a member of Clover, a band that had supported Thin Lizzy on previous tours. Moore confirmed that the song was mostly composed on an acoustic guitar, mostly by him, and that a drum machine was used. "It wasn't even intended to be for Thin Lizzy... I thought it might end up on Phil's solo record," he added, and suggested that the song only appeared on Black Rose because Lynott was one track short for the album. He also praised Tony Visconti's production and the layering of guitars on the solo. Regarding the melody, he said he could not remember where he got the idea from: "I probably nicked it from Jan Hammer or someone."