Sappho 31

Sappho 31 is an archaic Greek lyric poem by the ancient Greek female poet Sappho of the island of Lesbos. The poem is also known as phainetai moi (φαίνεταί μοι) after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman.

Fragment 31 was one of the few substantial fragments of Sappho to survive from ancient times, preserved in the first-century AD work On the Sublime. Four stanzas are well-preserved, followed by part of one more line; this, as well as Catullus' adaptation of the poem, suggests that there was originally one more stanza of the poem. A reconstruction of the poem by classicist Armand D'Angour suggests that the original poem may have had up to 8 stanzas.

Fragment 31 is composed in Sapphic stanzas, a metrical form named after Sappho and consisting of stanzas of three long followed by one short line. Four strophes of the poem survive, along with a few words of a fifth. The poem is written in the Aeolic dialect. The first stanza of the poem describes Sappho watching "that man" sitting by a woman, apparently Sappho's beloved. The next three stanzas describe the symptoms the narrator experiences "whenever I glance at you for a second". The final surviving line, 17, has been thought to be the beginning of a stanza describing Sappho reconciling herself to the situation in which she found herself. Armand D'Angour argues that the phrase "αλλα παν τολματον" means "all must be dared", rather than "endured" as it is sometimes translated. In this reading, the change of tone in the poem is towards a more hopeful, rather than resigned, position.

The context of the poem has been the subject of much scholarly debate. Wilamowitz suggested that the poem was a wedding song, and that the man mentioned in the initial stanza of the poem was the bridegroom. However, the poem contains nothing to indicate that it is about a wedding. A more recent interpretation suggests that the man is in fact a "contrast figure", designed to highlight Sappho's love for the girl by juxtaposing the strength of Sappho's emotional reaction with his own impassivity.

As far back as the eighteenth century, it has been proposed that the poem is about Sappho's jealousy of the man who sits with her beloved. Though this is still a popular interpretation of the poem, many critics deny that the fragment is about jealousy at all. Anne Carson argues that Sappho has no wish to take the man's place, nor is she concerned that he will usurp hers: thus, she is not jealous of him, but amazed at his ability to retain his composure so close to the object of her desire.

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