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Sanders of the River

Sanders of the River
Alternate title: Bosambo
Sanders River 35.jpg
Film poster
Directed by Zoltán Korda
Produced by Alexander Korda
Written by Lajos Bíró
Jeffrey Dell
Edgar Wallace
Arthur Wimperis
Starring Leslie Banks
Paul Robeson
Cinematography Osmond Borradaile
Louis Page
Georges Périnal
Edited by Charles Crichton
Release date
  • 8 April 1935 (1935-04-08)
Running time
98 minutes
Country United Kingdom
Language English

Sanders of the River is a 1935 British film directed by the Hungarian-British director, Zoltán Korda, based on the stories of Edgar Wallace. It is set in British Nigeria. The lead Nigerian characters were played by African-Americans Paul Robeson and Nina Mae McKinney.The film proved a significant commercial and critical success, giving Korda the first of his four nominations for Best Film at the Venice Film Festival.

Sanders (Leslie Banks) is a British colonial District Commissioner in Colonial Nigeria. He tries to rule his province fairly, including the various tribes comprising the Peoples of the River. He is regarded with respect by some and with fear by others, among whom he is referred to as "Sandi" and "Lord Sandi". He has an ally in Bosambo, a literate and educated chief (played by the American actor, Paul Robeson).

When Sanders goes on leave, another chief, King Mofolaba, spreads the rumour that "Sandi is dead." Intertribal war seems inevitable, and the situation is made worse by gun-runners and slavers.

His relief, Ferguson (known to the natives as Lord Ferguson), is unequal to the task; he is captured and killed by King Mofolaba. Sanders returns to restore peace. When Bosambo's wife Lilongo (Nina Mae McKinney) is kidnapped, the chief tracks down her kidnappers. Captured by them, he is saved by a relief force commanded by Sanders. Bosambo kills King Mofolaba and is subsequently named by Sanders as the King of the Peoples of the River.

Colonia administrator Sir B. Bourdillon is credited as an adviser.

The African-American singer and actor Paul Robeson, a civil rights activist, accepted the role of Bosambo while living in London. At the time, he was studying the roots of pan-African culture through studies of language and music. He felt that if he could portray the Nigerian leader, Bosambo, with cultural accuracy and dignity, he could help audiences—especially Black audiences—to understand and respect the roots of Black culture. He took the role on the condition that the film would portray Africans positively.


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