Sanctuary of Santa Maria della Steccata

The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna.

By 1392, the site held a small oratory to shelter a miraculous image of St. John the Baptist and was neighboring a religious confraternity that had an equally miraculous image of the Virgin and child, mentioned above, on the facade. The popularity of the icons led to the construction (1521-1539) by the commune of this church.

The layout is that mainly of a centralized Greek Cross church with four arms, although the entrance elongates through an arch to form the Coro dei Cavallieri. In the crossing is the majestic dome. Each arm has a half-dome, while between the arms are four corner chapels.

The architects were Bernardino Zaccagni and his son, Giovanni Francisco, with modifications by Gian Francesco d'Agrate. The dome (1526-1527) is attributed to Agrate, although with the help by Antonio da Sangallo the Younger. The church was finally consecrated in 1539. The sacristy was rebuilt over the following centuries.

The interior was decorated by prominent artists, both local and foreign to Parma. The Baroque altar in the choir was begun by Mauro Oddi and completed in 1758-1765 by Andrea and Domenico della Meschina. In the sacristy and sanctuary, many of the fresco figures and decorations were painted or planned by a young Parmigianino.Michelangelo Anselmi painted a large fresco in the apse of the Coronation of the Virgin with Saints (1541) and a later Adoration of the Magi.

Other artists include Bernardino Gatti, who frescoed parts of the ceiling. The Dutch painter Jan Soens painted a Holy family. Giambettino Cignaroli painted a Trinity with Saints Niccolò, Basilius, and Gregory. A somewhat retrograde mannerist Madonna and Bambino, with Saints Joseph & George was painted by Marcantonio Franceschini in 1718. A mannerist Redeemer with St. Anthony of Padua and the Magdalen was painted by Girolamo Mazzola Bedoli, based on a commission from 1605 for the price of 60 ducats and 76 soldi. The Parmesan painter Aurelio Barili painted frescoes in 1588.

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