San Giorgio Maggiore at Dusk | |
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French: Saint-Georges Majeur au Crépuscule, Italian: San Giorgio Maggiore al crepuscolo | |
Artist | Claude Monet |
Year | 1908–1912 |
Medium | Oil on canvas |
Dimensions | 65.2 cm × 92.4 cm (25.7 in × 36.4 in) |
Location | National Museum Cardiff of Cardiff, Wales |
Saint-Georges majeur au crépuscule (Eng: Dusk in Venice, San Giorgio Maggiore by Twilight or Sunset in Venice) refers to an Impressionist painting by Claude Monet, which exists in more than one version. Monet painted this subject as part of a series of views of the monastery-island of San Giorgio Maggiore. These were begun in 1908 when the 68-year-old artist made his only visit to Venice.
One version of San Giorgio Maggiore at Dusk was acquired in Paris by the Welsh art collector Gwendoline Davies. She bequeathed it to the Art Gallery (now National Museum Cardiff) in Cardiff, Wales. The painting is normally on display there.
There is a version in the Bridgestone Museum of Art.
San Giorgio Maggiore al Crepuscolo is approximately two-by-three feet and painted in oil on canvas. It depicts mysterious buildings that seem to magically appear from the surrounding landscape, they almost seem to float in the background. The forms are gently inserted, though not enough to disguise their identity. The painting focuses on the Church of San Giorgio Maggiore with its bell tower rising to the top of the painting. To the right are the faintly visible domes of Santa Maria della Salute and the mouth of the Grand Canal.
Monet painted San Giorgio Maggiore in six various lighting conditions. With this technique, the paintings focused on the ‘nature of experience.’ He was particularly impressed by the Venetian sunsets, “these splendid sunsets which are unique in the world.” He had previously been inspired by other sunsets, such as those of Normandy (in Rouen Cathedral and Haystacks, his series of the 1890s) and London (Houses of Parliament).