Salsa romantica

Salsa Romántica is a soft form of salsa music that emerged between the mid-1980s and early 1990s in New York City and Puerto Rico. It has been the most commercially successful form of salsa in the last 20 years, despite criticism that it is a pale imitation of "real" salsa, often called "salsa dura."

Salsa romántica arose at a time when classic, big-band salsa, of the kind popularized by Fania Records in the late 1970s and early 1980s, was taking a severe beating on the Latin record charts, owing to the merengue boom and the rise of Latin pop. To give the music broader commercial appeal, especially in the U.S. and Puerto Rico, emphasis was taken away from the hard-hitting orchestrations of the 1960s, 1970s and 1980s, and focused mainly on the romantic, softer aspects of salsa, creating a mixture of earlier salsa brava and the ballad style. Salsa romántica was championed in recordings by, among others, Eddie Santiago, La India, La Palabra, Giro Lopez, Frankie Ruiz, Luis Enrique, Willie Gonzalez, Lalo Rodríguez, Tito Nieves, Gilberto Santa Rosa, Tito Rojas, and Jerry Rivera. Rodven Records, PolyGram, and RMM were some of the dominant labels during this era.

Critics of salsa romántica, especially in the late 1980s and early 1990s, called it a commercialized, watered-down form of Latin pop, in which formulaic, sentimental love ballads were simply put to an Afro-Cuban beat—leaving no room for classic salsa's brilliant musical improvisation, or for classic salsa lyrics that tell stories of daily life or provide social and political commentary. The marketing of salsa romántica singers has often been based more on their youthful sex appeal than on the quality of their music. For these reasons, the form sometimes has been derided as salsa monga (limp or flaccid salsa), as opposed to salsa gorda or salsa dura (fat or hard salsa).

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