Salaam Bombay! | |
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Film poster
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Directed by | Mira Nair |
Produced by | Mira Nair Gabriel Auer |
Written by | Mira Nair Sooni Taraporevala |
Starring |
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Music by | L. Subramaniam |
Cinematography | Sandi Sissel |
Edited by | Barry Alexander Brown |
Distributed by | Cinecom Pictures (USA) |
Release date
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Running time
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113 minutes |
Country | India |
Language | Hindi |
Box office | $2 million |
Salaam Bombay! is a 1988 Hindi film directed by Mira Nair, and screenwritten by her longtime creative collaborator, Sooni Taraporevala. The film chronicles the day-to-day life of children living on the streets of Bombay, India's biggest city. It won the National Film Award for Best Feature Film in Hindi, the National Board of Review Award for Top Foreign Film, the Golden Camera and Audience Awards at the Cannes Film Festival, and three awards at the Montréal World Film Festival. The film was India's second film submission to be nominated for the Academy Award for Best Foreign Language Film. The film was among the list of "The Best 1,000 Movies Ever Made" by the New York Times.
Before the start of the film, Krishna has set fire to his bullying elder brother's motor-bike. This has landed him in big trouble with his mother. She has taken him to the nearby Apollo Circus and told him that he can only come home when he earns 500 rupees to pay for the damaged bike. Krishna agrees and works for the circus.
The film begins as the circus is packing up to move on. His boss asks him to run an errand, but when Krishna returns, he finds that the circus has left. Alone, with nowhere to turn, and without the money to repay his mother, he travels to the nearest big city, Bombay. As soon as he arrives, he is robbed of his few possessions. He follows the thieves, befriends them, and ends up in the city's notorious red-light area of Falkland Road, near the Grant Road Railway Station.
One of the thieves, Chillum, a drug pusher and addict, helps Krishna to get a job at the Grant Road Tea Stall. Baba, a local drug dealer, employs people like Chillum who are addicted to his drugs. His wife is also a prostitute and they have a little daughter. Baba's wife is annoyed that she has to raise her daughter in such an environment. Baba earlier promised to start a new life elsewhere, but it is a promise which Baba cannot, or has no intention of fulfilling.