Sabah (film)
| Sabah | |
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| Directed by | Ruba Nadda |
| Produced by |
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| Written by | Ruba Nadda |
| Starring |
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| Cinematography | Luc Montpellier |
| Edited by | Teresa Hannigan |
| Distributed by | Mongrel Media |
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Release date
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| Language | English |
Sabah (Arabic: صباح, meaning "morning") is a 2005 film directed by Ruba Nadda and starring Arsinée Khanjian as Sabah, a traditional Muslim woman living in Toronto. She falls in love with Stephen, a non-Muslim Canadian man (played by Shawn Doyle). The film had the alternate title Coldwater.
Sabah is a 40-year-old single immigrant from Syria living in Toronto with her family. She is responsible for her mother's well-being. Since her father's death, her brother Majid has been the family authority figure.
His niece, Souhaire, does not want him choosing her husband. His marriage is rocky, and he insists on tradition. Sabah decides to start swimming again; an activity not allowed by Majid. At a city swimming pool she meets Stephen; they're attracted to each other. Because he's not a Muslim, Sabah hides their friendship from her family.
With passage of time, their relationship gets deep and at one point they share a kiss. Sabah's niece teaches her belly dancing which Sabah enjoys. One day, while visiting Stephen at his carpenter workshop, she decides to stay overnight with him. Informing her mother that she won't be back that night, she dances and has sex with him.
The next day, as she returns home, she faces her mother, brother, sister, sister-in-law and niece who are anxiously waiting for her. After some hesitation, she tells them the truth about her doings in the last few months. Majid responds by announcing that Sabah is no longer a part of the family, as Muslim traditions forbid marriage for Muslim women to non-Muslims. Sabah leaves and Majid decides to take care of their mother.
At Stephen's workshop, Sabah is met by her mother, sister and sister-in-law who insist that she speak to Majid. Majid tells her that the money their father left had run out eight years ago and he is supporting the family himself. Eventually both agree that the family must change. The women of the family are impressed by Stephen and his deep blue eyes.
The film ends with a feast at Sabah's family home. Stephen is mingling with his in-laws and everyone is having a good time.
Young stated that Sabah's family previously had "drawn" a "hard line" so the "[T]urnaround ending, though comically inevitable, seems dramatically forced".
Ruba Nadda stated that she got the inspiration to make the film while she was a student at York University; she observed a veiled Muslim woman on a public bus and wondered how she would have dealt with her sexual feelings, and then, how she would have managed affairs if she became infatuated with a non-Muslim man. Nadda had the concept of a "very western looking man" and a woman wearing a hijab kissing "in the middle of the street." As the idea gestated, Nadda decided to use an older woman as the protagonist since such a character is limited by the already set-in-stone household roles and because such a woman may feel that a forbidden relationship would be her final chance for love; Nadda reasoned that the fear may tempt the woman into having an illicit affair.
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