SAFFA

The Schweizeische Ausstellung für Frauenarbeit (SAFFA), meaning "Swiss Exhibition for Women's Work", exhibitions took place for the very first time in 1928 in Bern and 1958 in Zürich. SAFFA was organized by the Bund Schweizerischer Frauenvereine (BFS), the Swiss Catholic Women's League (SKF) and by 28 other Swss women's associations, on occasion of the precarious situation of working women in the postwar years.

In the '"Viererfeld" area (today Länggasse-Felsenau) in Bern, the first Saffa was held from 26 August until 30 September 1928. Louise (Lux) Guyer, the first Swiss women architect, was the chief organizator, and she completed the buildings in only three months using prefabricated elements made of wood. When the fair opened, her reputation was firmly established. Focus of the exhibition were the services of women in family, working life, science and art; the representation of women's work and their importance for the Swiss economy and society. Saffa also promoted the female self-confidence and campaigned –for the so far not related – political rights to the Swiss women and the right to a gainful employment, as well as for their recognition as Swiss citizens with all political rights, unless the Women's suffrage in Switzerland was realized in the last cantons in 1990.

From 17 July until 15 September 1958, the BSF led the second Saffa with over a hundred national and cantonal women's organisations on the Landiwiese in Zürich-Wollishofen. Before, the Saffa-Insel, an artificial island was poured, being still a popular meeting place that is also used as lido in the summer and for events. As chief architect of the exhibition, which stood under the motto "Life circle of women in family, occupation, and country", acted Annemarie Hubacher-Constam. SAFFA presented the women, who were wanted in the booming economy as consumers and workers, possibilities in the areas of education, employment, shopping and leisure. In accordance with the needs of economic and sociopolitical needs, SAFFA promoted the then three-phase model as a 'ideal female curriculum': employment prior to the marriage, motherhood, and return to the labour market. In addition, the women had to absorb negative impacts of the rapidly changing world, nevertheless, by spreading harmony inside and outside of their families. The men should be made aware of 'women services' in the service of the general public on the indispensability and so motivated to fix the social discrimination against women. With the profits from the two exhibitions, solidarity works were established for women.

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