Ruth Ozeki
| Ruth Ozeki | |
|---|---|
Ruth Ozeki signing books at Hotel la Rose in Santa Rosa, March 21, 2013.
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| Born |
March 12, 1956 New Haven, Connecticut |
| Occupation | Novelist, filmmaker, professor |
| Nationality | American and Canadian |
| Alma mater | Smith College |
| Website | |
| www |
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Ruth Ozeki is an American-Canadian author, filmmaker and Zen Buddhist priest. Her books and films, including the novels My Year of Meats (1998), All Over Creation (2003), and A Tale for the Time Being (2013), seek to integrate personal narrative and social issues, and deal with themes relating to science, technology, environmental politics, race, religion, war and global popular culture. Her novels have been translated into over thirty languages. She is a Professor of English Language and Literature at Smith College.
Ozeki was born on March 12, 1956. She grew up in New Haven, Connecticut, and is the daughter of the American linguist, anthropologist and Mayanist scholar, Floyd Lounsbury, and Masako Yokoyama. In 1980, she graduated from Smith College with a B.A. in English and Asian Studies, and upon graduation, she received a Japanese Ministry of Education Fellowship (Monbukagakusho) to do graduate work at Nara University in Nara, Nara.
In 1985, Ozeki moved to New York City and began working as an art director and production designer for low-budget horror movies, including Mutant Hunt (1987) and Robot Holocaust (1986). In 1988, she began working for Telecom Staff, a Japanese production company, coordinating, producing and directing documentary-style programs for Japanese TV. During this time, she directed episodes of See the World by Train and co-produced the pilot for the TV documentary miniseries Fishing With John (1991), starring musician John Lurie and director Jim Jarmusch. Ozeki's first film, Body of Correspondence (1994), made in collaboration with artist Marina Zurkow won the New Visions Award at the San Francisco Film Festival and was aired on PBS. Her second film, Halving the Bones (1995), tells the autobiographical story of Ozeki’s journey as she brings her grandmother’s remains home from Japan. It was nominated for the Grand Jury Prize at the Sundance Film Festival, and screened at the Museum of Modern Art, the Montreal World Film Festival, and the Margaret Mead Film Festival, among others.
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