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Rumor and Sigh

Rumor and Sigh
RT Ras.jpg
Studio album by Richard Thompson
Released May 1991
Recorded 1991 at Sunset Sound, Los Angeles and Konk Studios, London
Genre Folk rock, alternative rock
Length 61:19
Label Capitol
Producer Mitchell Froom
Richard Thompson chronology
Sweet Talker
(1991)
Rumor And Sigh
(1991)
Watching The Dark
(1993)

Rumor and Sigh is the sixth solo album by British singer/songwriter Richard Thompson, released in 1991 on the Capitol label. The album was a commercial success for Thompson, and he received a Grammy nomination for the album. The album saw a close collaboration with producer Mitchell Froom who also played keyboards.

The American spelling of the word "Rumor" is due to the fact that Thompson took the title of his album from a posthumously published poem by Archibald MacLeish: "Rumor and sigh of unimagined seas/ Dim radiance of stars that never flamed."

Patrick Humphries described the central character of the song "I Feel So Good" as a ne'er do well who has been freed from prison and expresses his "bullying exultation at his freedom. In an interview Thompson explained, "If you make someone the subject of a song you're almost inevitably making him a hero. But he obviously isn't. Nor is he an anti-hero. He's no worse than the society that created him. It's a very twentieth century moral dilemma."

"Grey Walls" was inspired by Colney Hatch Mental Hospital in Barnet, North London, which Thompson passed on the bus as a teenager. The song describes the disturbing effect of ECT on psychiatric patients. Thompson has also called the song a comment on the effects of Thatcherism—in the context of closing down mental institutions and selling the facilities for profit.

Thompson as said he was inspired to write "Don't Sit On My Jimmy Shands" after hearing a story of Bob Dylan at a party, hogging the record player so he could play only Robert Johnson recordings. Thompson planned his song as a tongue in cheek tribute to Jimmy Shand, Scottish musician who achieved popularity in the 1930s and 40s by arranging traditional Scottish songs for his accordion band. Shand's music loomed large in Thompson's childhood.


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