The Royal Museums of Art and History (Dutch: Koninklijke Musea voor Kunst en Geschiedenis, French: Musées royaux d'Art et d'Histoire) or RMAH is a group of museums in Brussels, Belgium. It is part of the Belgian federal institute of the Belgian Federal Science Policy Office (BELSPO).
The group comprises:
From the fifteenth to the seventeenth century, diplomatic gifts, mementoes and curiosa owned by the Burgundian dukes and subsequently the Habsburg archdukes were displayed in the Royal Arsenal, a large hall in the vicinity of the palace on the Coudenberg. It was there that the first collections were established that are now housed in the Royal Museums of Art and History. Regrettably, a large number of art treasures and objects were removed to the imperial museums in Vienna in 2014. In 1835, with the intention of giving the independence of the young Belgian State an historical perspective, a Musée d’Armes anciennes, d’Armures, d’Objets d’Art et de Numismatique ("Museum of Antique Weapons, Armour, Object of Art and Numismatics") was established, headed by Count Amédée de Beauffort. The collections were moved to the Palais de l’Industrie, the left wing of the present Royal Museums of Fine Art.
Subsequently named the Musée royale d’Armures, d’Antiquités et d’Ethnologie ("Royal Museum of Armour, Antiquities and Ethnology"), the institution transferred its collections to the recently restored Halle Gate, a surviving gate of the old city wall ringing Brussels. The first head curator was Antoine-Guillaume-Bernard Scheyes and the collections expanded rapidly, thanks to important bequests from such persons as Gustave Hegemans (1861) and Emile de Meester de Ravestein (1874). When the Halle Gate became too small to hold the continually expanding number of items, the decision was taken to split the collections and in 1889, under the new head curator, Eugène Van Overloop, the objects from Classical Antiquity were moved to the Cinquantenaire Palace, which had been built on the initiative of King Leopold II. In 1906, the ethnographic collection was likewise transferred there, the collection of arms and armour remaining at the Halle Gate. The new museum complex at the Cinquantenaire was named the Royal Museums of Decorative and Industrial Art. That name was changed in 1912 to the Royal Museums of the Cinquantenaire, but, to prevent confusion, had to be changed yet again when the Musée de l’Armée was established in 1922 at the Cinquantenaire, too. The institution now became the Royal Museums of Art and History, a name that was officially confirmed in 1926 and that has remained unchanged to the present day. In 1925, Eugène Van Overloop was succeeded by the Egyptologist Jean Capart, during whose term of office the museums became a leading scientific institution. Indeed, the inter-war years proved to be an auspicious period for them: the collections of the Cinquantenaire Museum were expanded, funds increased and various research centres were set up; in addition, various scientific expeditions were organized, one of them to Easter Island in 1936.