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Royal Museum for Fine Arts, Antwerp

Royal Museum of Fine Arts Antwerp
Koninklijk Museum voor Schone Kunsten Antwerpen
Koninklijk Museum voor Schone Kunsten (Antwerpen).jpg
Established 1810
Location Antwerp, Belgium
Key holdings Flemish painting

The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen) is a museum in Antwerp, Belgium, founded in 1810, houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century. The museum is closed for renovation until the end of 2017.

The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jacob Winders (1849–1936) and Frans van Dijk (1853-1839), built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Fame with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, separated by four monumental sculptures representing Architecture, Painting, Sculpture, and Graphics.

The building stands in gardens bounded by the Leopold de Waalplaats, the Schildersstraat, the Plaatsnijdersstraat, and the Beeldhouwersstraat.

The museum's collection began with the artworks owned by the Antwerp Guild of Saint Luke, which was active from the late 14th century to 1773. When the guild disbanded, its gallery of paintings went to the Academy of Fine Arts, which had been founded in 1663 with the involvement of David Teniers. The gallery had works by Peter Paul Rubens, Jacob Jordaens, and Cornelis de Vos. During French occupations in 1794 and 1796, art was looted from churches and other buildings in Antwerp; the pieces that were later recovered became part of the museum's collection. By 1817 the museum listed 127 items in its catalogue, mostly dating to the mid-16th and 17th centuries, with Rubens at the heart of the collection.


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