Roy Shirley
| Roy Shirley | |
|---|---|
| Birth name | Ainsworth Roy Rushton Shirley |
| Also known as | King Roy Shirley, The High Priest |
| Born | 18 July 1944 |
| Origin | Kingston, Jamaica |
| Died | July 2008 (aged 63) Thamesmead, London, United Kingdom |
| Genres | Ska, rocksteady, reggae |
| Years active | early 1960s – 2008 |
| Labels | Amalgamated, Public, Weed Beat, Trojan |
| Associated acts | The Uniques |
| Website | kingroyshirley |
Ainsworth Roy Rushton Shirley (18 July 1944 – July 2008), better known simply as Roy Shirley, and also known as King Roy Shirley and The High Priest, was a Jamaican singer whose career spanned the ska, rocksteady and reggae eras, and whose "Hold Them" is regarded by some as the first ever rocksteady song. He was also one of the original members of The Uniques.
Shirley was born on North Street in Kingston, Jamaica, on 18 July 1944, and grew up in Trench Town, where he attended the Boys Town school, and after singing in his local church choir began his career performing in talent contests. His second prize performance on Vere Johns' talent show brought him to the attention of then Minister of Culture Edward Seaga and bandleader Byron Lee, who gave him work on shows that they promoted.
After early recordings for producer Simeon L. Smith went unreleased, he moved on to work with Leslie Kong, who released his debut single "Oh Shirley", co-arranged with his friend Jimmy Cliff, giving him a hit in 1965. Shirley then formed The Leaders along with Ken Boothe, Joe White, and Chuck Josephs. This group was unsuccessful, but Shirley went on to join Slim Smith and Franklyn White in the original line-up of The Uniques. When this line-up folded, Shirley recorded "Hold Them" in 1966, credited as one of the first rocksteady songs, and inspired by the beat from a Salvation Army band. Shirley attempted to perform "Hold Them" to a ska beat, but unable to make it work, slowed down the rhythm. He initially attempted to record the song with Slim Smith and Ken Boothe for producer Joe Gibbs, but it didn't work out, with the other singers struggling to break away from the ska style, and Gladstone Anderson suggested to Gibbs that Shirley perform the song solo. The song became a massive hit in Jamaica, and Shirley recorded several more singles for Gibbs, including "Dance The Arena", "The World Needs Love", and "Music Is The Key", but these failed to match the success of the first single. Shirley moved on to work with Bunny Lee giving the producer his first hit with "Music Field", which was followed by others such as "Get on the Ball". Shirley's style draws heavily from American soul singers such as Solomon Burke. He became renowned for his ecstatic stage performances, often performing wearing a long silver cape with a high collar, and was described by the Jamaica Observer as "perhaps the most comedic performer to evolve out of Jamaican popular music". In late 1968, Shirley set up his own Public label and began self-production, releasing tracks such as "Prophecy Fulfilling", "Flying Reggae", and "On Board".
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