"Round & Round" is a song by New Order and the second single from their 1989 album Technique. It was re-recorded for single release with Stephen Hague, who had previously worked with the group on their hit "True Faith". It is one of the group's most dance-centred songs, with few guitar or bass lines. Like the majority of New Order songs, the song's title is not mentioned in its lyrics. The song was selected for single release by Factory Records' Tony Wilson over the wishes of the band, who wanted to issue "Vanishing Point" (also from Technique) instead.

The song is about New Order's then-souring relationship with Tony Wilson, the owner of Factory Records which was the group's label at the time. On the documentary "New Order Story", Bernard Sumner discusses that he didn't originally intend the song to be about Tony Wilson and the tension between Wilson and the group, but Sumner admits that growing tension between the two men ultimately was channelled into the song when it was being written.

The band recorded three versions:

These versions and other remixes were distributed on over twenty 7", 12", and CD single formats, many with exclusive artwork. "Round & Round" has also appeared in various forms on New Order compilations. In 1994, "Round & Round" was remixed once again by Stephen Hague with Mike 'Spike' Drake for the compilation (the best of) New Order. This version revised Hague's 1989 seven inch remix removing many of the echoed refrains.

The single's main B-side was an instrumental, "Best & Marsh", which was written as the theme for a Granada TV series of the same name featuring footballers George Best and Rodney Marsh. The CD single also included an instrumental remix of "Vanishing Point" produced for the BBC drama series Making Out.

The video for "Round & Round" features a series of eight successive black-and-white head-and-shoulder shots of young, female models, casually sitting in front of a camera as it records them, with the women occasionally talking (though what they say is not heard in the video). Randomly intercut into the footage of the women are various colorized short clips of flowers or marbles.

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