Rosmersholm
| Rosmersholm | |
|---|---|
| Written by | Henrik Ibsen |
| Characters | Johannes Rosmer Rebecca West Professor Kroll Ulrik Brendel Peder Mortensgaard Mrs. Helseth |
| Original language | Danish |
| Subject | Aristocrat who converted to liberalism |
| Genre | Well-made play |
| Setting | Rosmer's Manor |
Rosmersholm (pronounced [ˈrɔ̞̈smɛ̝rs.ˌhɔ̞̈lm]) is a play written in 1886 by Norwegian playwright Henrik Ibsen. In the estimation of many critics the piece is Ibsen's masterwork, only equalled by The Wild Duck of 1884. As expressed by the protagonist, Rosmer, the theme of the play is social and political change, in which the traditional ruling classes relinquish their right to impose their ideals on the rest of society, but the action is entirely personal, resting on the conduct of the immoral, or amoral, "free thinking" heroine, Rebecca, who sets herself to undermine Rosmer's religious and political beliefs because of his influential position in the community. Rebecca has abandoned not only Christianity but, unlike Rosmer, she has abandoned the whole ethical system of Christianity as well. Possibly she may be taken as Ibsen's answer to the question of whether or not Christian ethics can be expected to survive the death of the Christian religion.
A radio adaptation, translated by Frank McGuinness and directed by Peter Kavanagh, will be broadcast on BBC Radio 3 on 15 January 2017.
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide—initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
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