Rosalind E. Krauss
| Rosalind Krauss | |
|---|---|
| Born |
November 30, 1941 Washington, D.C. |
| Education |
Wellesley College Harvard University |
| Occupation | Art historian, professor, art critic |
Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. As a critic and theorist she has published steadily since 1965 in Artforum, Art International and Art in America. She was associate editor of Artforum from 1971 to 1974 and has been editor of October, a journal of contemporary arts criticism and theory that she co-founded in 1976.
Krauss was born to Matthew M. Epstein and Bertha Luber in Washington D.C. and grew up in the area, visiting art museums with her father. After graduating from Wellesley in 1962, she attended Harvard, whose Department of Fine Arts (now Department of History of Art and Architecture) had a strong tradition of the intensive analysis of actual art objects under the aegis of the Fogg Museum.
Krauss wrote her dissertation on the work of David Smith. Krauss received her Ph.D. in 1969. The dissertation was published as Terminal Iron Works in 1971.
In the late-1960s and early-1970s Krauss began to contribute articles to art journals such as Art International and Artforum — which, under the editorship of Philip Leider, was relocated from California to New York. She began by writing the "Boston Letter" for Art International, but soon published well-received articles on Jasper Johns (Lugano Review, 1965) and Donald Judd (Allusion and Illusion in Donald Judd, Artforum, May 1966). Her commitment to the emerging minimal art in particular set her apart from Michael Fried, who was oriented toward the continuation of modernist abstraction in Jules Olitski, Kenneth Noland and Anthony Caro. Krauss's article A View of Modernism (Artforum, September 1972), was one signal of this break.
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