Roland Winters | |
---|---|
Born |
Roland Winternitz November 22, 1904 Boston, Massachusetts, U.S. |
Died | October 22, 1989 Englewood, New Jersey U.S. |
(aged 84)
Occupation | Actor |
Years active | 1924-1982 |
Spouse(s) | Ada Howe |
Roland Winters (born Roland Winternitz; November 22, 1904 – October 22, 1989) was an American actor who played many character parts in films and television but today is best remembered for portraying Charlie Chan in six films in the late 1940s.
Born Roland Winternitz in Boston, Massachusetts, on November 22, 1904, Winters was the son of Felix Winternitz, a violinist and composer who was teaching at New England Conservatory of Music.
Monogram Pictures eventually selected Winters to replace Sidney Toler in the Charlie Chan film series.
Winters was 44 when he made the first of his six Chan films, The Chinese Ring in 1947 and ending with Charlie Chan and the Sky Dragon (also known as Sky Dragon) in 1949. His other Chan films were "Docks of New Orleans" (1948), "Shanghai Chest" (1948), "The Golden Eye" (1948) and "The Feathered Serpent" (1948). He also had character roles in three other feature films while he worked on the Chan series.
Winters is less well known in the Charlie Chan role than his two predecessors. He made far fewer Chan films than they did, and he came along at a time when the series was well past its higher-budget days. Viewers are divided about his performance in the role. Some consider him an ineffective successor to Oland and Toler, but others defend him for his unique approach to the character.
Yunte Huang, in Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History, noted differences in the actors' appearances, especially that Winters' "tall nose simply could not be made to look Chinese." Huang also cited the actor's age, writing, "at the age of forty-four, he also looked too young to resemble a seasoned Chinese sage."
In contrast to Huang, Ken Hanke wrote in his book, Charlie Chan at the Movies: History, Filmography, and Criticism, "Roland Winters has never received his due ... Winters brought with him a badly needed breath of fresh air to the series." He cited "the richness of the approach and the verve with which the series was being tackled" during the Winters era." Similarly, Howard M. Berlin, in his book, Charlie Chan's Words of Wisdom, commented that "Winters brought a much needed breath of fresh air to the flagging film series with his self-mocking, semi-satirical interpretation of Charlie, which is very close to the Charlie Chan in Biggers' novels."