Sir Roger Norrington | |
---|---|
Birth name | Roger Arthur Carver Norrington |
Born |
Oxford, Oxfordshire, England |
16 March 1934
Genres | Classical |
Occupation(s) | Conductor |
Years active | 1962–present |
Sir Roger Arthur Carver Norrington CBE (born 16 March 1934) is a British conductor. He is the son of Sir Arthur Norrington and his brother is Humphrey Thomas Norrington.
Norrington studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others. Norrington played the violin, and worked as a tenor through the 1960s, and in 1962 founded the Schütz Choir (later the Schütz Choir of London).
From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was Principal Conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In the USA, from 1990 to 1994, he was music director of the Orchestra of St. Luke's. In Europe, he was principal conductor of the Camerata Salzburg from 1997 to 2006, and principal conductor of the Stuttgart Radio Symphony Orchestra from 1998 to 2011. He was Artistic Advisor of the Boston Handel and Haydn Society from 2006 to 2009. He was principal guest conductor of the Orchestre de Chambre de Paris and the Deutsche Kammerphilharmonie Bremen. He was principal conductor of the Zurich Chamber Orchestra from 2011 to 2016.
Norrington is best known for historically informed performances of Baroque, Classical and Romantic music. He is a member of the historically informed performance movement. Norrington has advocated a limited or no use of vibrato in orchestral performances, which has brought him both acclaim and criticism. He has strictly followed Beethoven's original metronome markings in his symphonies, despite critical comment that these markings were "miscalculated". He has conducted recordings of Haydn, Mozart, Beethoven, Schubert, Berlioz, Brahms, Tchaikovsky, Dvorak, Bruckner, and Mahler on period and modern instruments. He has conducted over 50 world premieres, and has appeared regularly with the Berlin Philharmonic, the Vienna Philharmonic, and major orchestras throughout the world.