Roekiah | |
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Roekiah, c. 1941
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Born | 1917 Bandoeng, West Java, Dutch East Indies |
Died | 2 September 1945 (aged 28) Djakarta, Indonesia |
Occupation | Actress, singer |
Years active | 1920s–1944 |
Notable work | Terang Boelan |
Spouse(s) | Kartolo |
Children | 5 |
Roekiah (Perfected Spelling: Rukiah; born 1917 – died 2 September 1945), often credited as Miss Roekiah, was an Indonesian kroncong singer and film actress. The daughter of two stage performers, she began her career at the age of seven; by 1932 she had become well known in Batavia, Dutch East Indies (now Jakarta, Indonesia), as a singer and stage actress. Around this time she met Kartolo, whom she married in 1934. The two acted in the 1937 hit film Terang Boelan, in which Roekiah and Rd Mochtar played young lovers.
After the film's commercial success, Roekiah, Kartolo, and most of the cast and crew of Terang Boelan were signed to Tan's Film, first appearing for the company in their 1938 production Fatima. They acted together in two more films before Mochtar left the company in 1940; through these films, Roekiah and Mochtar became the colony's first on-screen couple. Mochtar's replacement, Rd Djoemala, acted with Roekiah in four films, although these were less successful. After the Japanese invaded the Indies in 1942, Roekiah took only one more film role before her death; most of her time was used entertaining Japanese forces.
During her life Roekiah was a fashion and beauty icon, featuring in advertisements and drawing comparisons to Dorothy Lamour and Janet Gaynor. Though most of the films in which she appeared are now lost, she has continued to be cited as a film pioneer, and a 1969 article stated that "in her time [Roekiah] reached a level of popularity which, one could say, has not been seen since". Of her five children with Kartolo, one – Rachmat Kartolo – entered acting.
Roekiah was born in Bandoeng (now known as Bandung), West Java, Dutch East Indies, in 1917 to Mohammad Ali and Ningsih, actors with the Opera Poesi Indra Bangsawan troupe; Ali was originally from Belitung, while Ningsih was of Sundanese descent and came from Cianjur. Though Roekiah learned acting mainly from her parents, she also studied the craft with other members of their troupe. The trio were constantly travelling, leaving Roekiah with no time for a formal education. By the mid-1920s they were with another troupe, the Opera Rochani.