Rodger Jacobs
| Rodger Jacobs | |
|---|---|
| Born |
March 12, 1959 San Francisco, California, United States |
| Died | July 5, 2016 (aged 57) Los Angeles, California, United States |
| Occupation | Journalist, writer, author, film producer, columnist, playwright, editor, screenwriter |
| Partner(s) | Lela Michael |
| Children | Carole Jacobs |
Rodger Jacobs (March 12, 1959 – July 5, 2016) was an American journalist, writer, author, film producer, columnist, playwright, editor and screenwriter.
Jacobs was a journalist for publications such as Salon, Los Angeles Review of Books, Las Vegas Sun, Eye, Hustler and PopMatters. He also worked for many years as an AVN award-winning adult film industry screenwriter and trade journalist.
In 1999, Jacobs wrote an essay, Running with the Wolves: Jack London and the Cult of Masculinity. In 2010, Jacobs provided the preface for Jack London: San Francisco Stories, an anthology for Sydney Samizdat Press.
Go Irish: The Purgatory Diaries of Jason Miller, a play based on actor Jason Miller, known for the role of Father Damien Karras in the film The Exorcist, that Jacobs co-wrote with Tom Flannery, had its world premiere in 2007 and continues to be displayed in various theatrical venues in Pennsylvania and upstate New York with actor Robert Thomas Hughes, a childhood friend of Jason Miller. Writing in Stage magazine, critic Jack Shaw hailed Purgatory Diaries as "a stirring examination of celebrity madness."Go Irish was performed again in 2015 by Robert Thomas Hughes.
In 2007, Jacobs wrote and directed a live presentation, The Ragged Promised Land, for the Vesuvio Cafe and The Beat Museum in San Francisco to commemorate the 50th anniversary of the publication of Jack Kerouac's On the Road. In 2009, he released Mr. Bukowski's Wild Ride, a collection of original surrealist fiction, for exclusive consignment sale at City Lights Books in San Francisco; writing in the Self-Publishing Review, author Henry Baum cited the book as "another piece to add to (Bukowski's) towering myth … it also gets to the soul of the man … as funny as any of Bukowski's own writing."
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