Robinsonade (/ˌrɒbɪnsəˈneɪd/) is a literary genre that takes its name from the 1719 novel Robinson Crusoe by Daniel Defoe. The success of this novel spawned so many imitations that its name was used to define a genre, which is sometimes described simply as a "desert island story" or a "castaway narrative."
The word "robinsonade" was coined by the German writer Johann Gottfried Schnabel in the Preface of his 1731 work Die Insel Felsenburg (The Island Stronghold). It is often viewed as a subgenre of survivalist fiction.
Robinson Crusoe and "robinsonades" share plot elements with William Shakespeare's The Tempest, but the story emphasis and story message are markedly different.
Robinson Crusoe was influential in creating a colonialization mythology—as novelist James Joyce eloquently noted the true symbol of the British conquest is Robinson Crusoe: "He is the true prototype of the British colonist…". Later works expanded on and explored this mythology.
In the archetypical (and eponymous) robinsonade, the protagonist is suddenly isolated from the comforts of civilization, usually shipwrecked or marooned on a secluded and uninhabited island. He must improvise the means of his survival from the limited resources at hand.
Some of the common themes include:
See also themes for subgenres below.
Unlike Thomas More's Utopia and romantic works which depicted nature as idyllic, Crusoe made it unforgiving and sparse. The protagonist survives by his wits and the qualities of his cultural upbringing, which also enable him to prevail in conflicts with fellow castaways or over local peoples he may encounter. However, he manages to wrest survival and even a certain amount of civilisation from the wilderness. Works that followed went both in the more utopian direction (Swiss Family Robinson) and the dystopian direction (Lord of the Flies).