Robert E. Dolan
| Robert E. Dolan | |
|---|---|
| Born | August 3, 1908 Hartford, Connecticut |
| Died | September 26, 1972 (aged 64) Los Angeles, California |
| Nationality | American |
| Alma mater | Loyola College |
| Occupation | conductor,composer arranger |
Robert Emmett "Bobby" Dolan (August 3, 1908 – September 26, 1972) was a Broadway conductor, composer and arranger beginning in the 1920s. He moved on to radio in the 1930s, and then went to Hollywood in the early 1940s as a musical director for Paramount. He scored, arranged, and conducted many musical and dramatic films in the 1940s and 1950s and produced three musicals. At the end of his career, he returned to the stage – the place where he began.
Dolan was born in Hartford, Connecticut the eldest of 12 children. He studied piano with his mother and was educated in Montreal. He received further musical education at Loyola College (now Concordia University), later studying extensively with Mortimer Wilson, Joseph Schillinger and . Dolan started out playing piano for honky-tonk dance bands and musical comedy bands, and in the 1920s began working as a musician, composer, conductor, and musical director in the theater. Some of the Broadway shows he contributed to were Leave It To Me, Louisiana Purchase, Of Thee I Sing and Ziegfeld Follies.
In the 1930s, he began work as a composer, conductor and music director in radio. He became music director for MGM in 1941 and then moved on to Paramount, where he was music director for 16 Bing Crosby pictures. He also served as composer and arranger for Ginger Rogers and Betty Hutton; and scored about 60 movies. At the end of his Paramount stay, he was promoted to producer for White Christmas (1954), The Girl Rush (1955) and Anything Goes (1956). He joined ASCAP in 1946 often collaborating with Johnny Mercer and Walter O'Keefe in popular-song compositions. Dolan later worked in television; his work included specials and documentaries. He was a prominent member of Columbia University's music faculty, where he taught orchestration, conducting, and a film score class (based on his book, Music in Modern Media).
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