Robert C. Morgan

Robert C. Morgan (born 1943) is an American art critic, art historian, curator, poet, and painter.

Robert C. Morgan received his M.F.A. in Sculpture from the University of Massachusetts, Amherst in 1975 and his Ph.D. in contemporary art history from New York University in 1978. Professor Morgan has had an extensive academic career. He has taught at New York University, Wichita State University, the University of Rochester, the School of Visual Arts, Barnard College, and Columbia University. From 1981- 2001, he was Professor of the History and Theory of Art at the Rochester Institute of Technology. He is currently an Adjunct Professor of Fine Arts in the Graduate School of Fine Arts at Pratt Institute in Brooklyn, New York.

Morgan has worked extensively as an independent curator. He has organized museum retrospectives of Allan Kaprow (1979) and Komar and Melamid (1980), both at the Ulrich Museum of Art in Kansas. In 1990, he curated “Concept -- Decoratif” in conjunction with the Holly Solomon Gallery in New York. From 1989-90, he directed a gallery in SoHo (New York) where he curated a dozen exhibitions of both emerging and established artists, including Carolee Schneemann, Nancy Grossman, Hung Liu, Hong-Wen Lin, Robert Barry, Douglas Huebler, Mel Bochner, Muntadas, and Max Ernst. In 1994, he organized “Logo Non Logo“ with French critic Pierre Restany at the Thread Waxing Space in New York, which later traveled to the Art Museum of the University of South Florida in Tampa.

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