Robbin' the Hood | ||||
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Studio album by Sublime | ||||
Released | February 8, 1994 | |||
Recorded | 1993-1994 in various living rooms Long Beach, California & Westbeach Recorders in Hollywood, California | |||
Genre | Ska punk,reggae rock, lo-fi, experimental rock, field recording | |||
Length | 60:40 | |||
Label |
Skunk (original) Gasoline Alley/MCA (re-release) |
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Producer | Sublime | |||
Sublime chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Punknews.org |
Robbin' the Hood is the second album by the Southern California ska punk band Sublime, which was released in 1994. It is noted for its experimental nature, low production values, and numerous samples and interpolations of other artists.
Robbin' the Hood is a Sublime album with noted low production values (the album sleeve boasts of its "13 self produced 4-track home recordings"), and also has multiple samples and lyrics from other artists featured in some tracks. It has been speculated that it was Brad Nowell's answer to the people who were beginning to feel he was in the music business for the money. The album is full of fillers, instrumentals and 'Raleigh Soliloquies,' selections from a rant recorded by a man with schizophrenia named Raleigh Theodore Sakers. Raleigh Soliloquy Pt. III has Raleigh singing his interpretation of "You Don't Know What Love Is" by George Benson. This was done as it was originally only going to have 6 tracks. According to late lead singer Bradley Nowell's wife, Troy Dendekker, the majority of the album was recorded in a Long Beach, California crack house. She also stated that the album was written and recorded at the height of Nowell's heroin addiction, with many references to this reflected in the album's lyrics, particularly in "Pool Shark".
Some of the songs on the album contain parts that were later reused by the band on other albums. For example, the principle chord progression in the instrumental "Lincoln Highway Dub" was featured again in the band's later hit "Santeria", and elements of "Work That We Do" would later appear in "Under My Voodoo". Incidentally, it was during the recording of Robbin' the Hood, that the band recorded demos of "What I Got" and "Garden Grove."
Gwen Stefani, of No Doubt, contributes guest vocals on the track "Saw Red", notably before either Sublime or No Doubt enjoyed mainstream success. Many of Sublime's melodies and riffs have not only been influenced by, but directly taken from, other reggae artists and bands. "Steppin' Razor", originally written by Joe Higgs, was covered by The Wailers and later popularized by Peter Tosh in his solo career. In "Greatest Hits", Nowell mentions The Ziggens, their "brother" band signed to the same label. The guitar riff and associated rhythm in the song was borrowed from Yellowman. Boss D.J. is partially a cover of a song by British reggae band Aswad, "Roots Rocking". The Free Loop Dub borrows melody from the song "Loaded" by Scottish alternative rock band Primal Scream. STP's lyrics "Baby you wanna give me kisses ... but a taste of honey is worse than none at all" are borrowed from "I Second That Emotion".