River Queen | |
---|---|
Directed by |
Vincent Ward Alun Bollinger (uncredited) |
Produced by | Chris Auty |
Written by | Vincent Ward |
Starring |
Samantha Morton Kiefer Sutherland Cliff Curtis Stephen Rea |
Music by | Karl Jenkins |
Distributed by | 20th Century Fox |
Release date
|
2005 |
Running time
|
114 minutes |
Country | New Zealand United Kingdom |
Language | English |
Budget | $24,030,000 (NZ) |
Box office | $915,442 |
River Queen is a 2005 New Zealand-British war drama film directed by Vincent Ward and starring Samantha Morton, Kiefer Sutherland, Cliff Curtis and Temuera Morrison. The film opened to mixed reviews but performed well at the box office in New Zealand.
The film takes place in New Zealand in 1868 during Titokowaru's War between the Māori and New Zealand colonial forces. Sarah O'Brien (Samantha Morton) has grown up among soldiers in a frontier garrison on Te Awa Nui, the Great River. Pregnant at 16 by a young Maori boy, she gives birth to a son. When, 7 years later, her son, Boy, is kidnapped by his Maori grandfather, Sarah is distraught. Abandoned by her soldier father, Sarah's life becomes a search for her son. Her only friend, Doyle (Kiefer Sutherland) is a broken-down soldier without the means to help her. Lured to the ill rebel chief Te Kai Po's village by the chance to see her child, Sarah finds herself falling in love with Boy's uncle, Wiremu (Cliff Curtis) and increasingly drawn to the village way of life. Using medical skills she learned from her father, Sarah heals Te Kai Po (Temuera Morrison) and begins to reconcile with her son (Rawiri Pene). But her idyllic time at the village is shattered when she realises that she has healed the chief only to hear him declare war on the Colonials, men she feels are her friends, her only family. Her desperation deepens when she realises that Boy intends to prove himself in war, refusing to go back down river with her. As the conflict escalates Sarah finds herself at the centre of the storm, torn by the love she feels for Boy and Wiremu, anguished over the attachments she still has to the white man's world, and sickened by the brutality she witnesses on either side. And when the moment comes, Sarah must choose where she belongs; will she be forced back into the white man's way of life, or will she have the courage to follow the instincts that are telling her where she truly belongs?