Rise Up Like the Sun | ||||
---|---|---|---|---|
Studio album by The Albion Band | ||||
Released | March 1978 | |||
Studio | Olympic Studios | |||
Genre | Folk rock, electric folk | |||
Length | 52:20 | |||
Label |
Harvest Fledg'ling (2003 reissue) |
|||
Producer | Joe Boyd, John Tams | |||
The Albion Band chronology | ||||
|
Rise Up Like The Sun is an electric folk album released in 1978 by The Albion Band. The album is in part a collaboration between John Tams on vocals and melodeon and Ashley Hutchings on electric bass. This is not the first album on which the two worked together but it remains the most fulfilling for listeners. To build the sound Hutchings brought in two of his former compatriots from Fairport Convention, Dave Mattacks on drums and tambourine and Simon Nicol on vocals and electric and acoustic guitars. In addition another ex-member of Fairport, Richard Thompson, contributed songs and backing vocals. Having assembled the principal contributors and an ambiance that encouraged their friends to drop in, Hutchings gave Tams the freedom to act as the project's musical director. They were joined by Philip Pickett on shawms, bagpipes, curtals and trumpet, Pete Bullock on synthesiser, piano, clarinet, sax, and organ, Michael Gregory on percussion, Ric Sanders on violin and violectra and Graeme Taylor on electric and acoustic guitars. Kate McGarrigle, Julie Covington, Linda Thompson, Pat Donaldson, Martin Carthy, Andy Fairweather-Low and Dave Bristow make guest appearances.
The album was produced by Tams and Joe Boyd, and engineered by Vic Gamm. It was recorded at Olympic Studio No. 1 and mixed at CBS Studios.
The reviews for Rise Up Like the Sun were mostly positive, although opinion was divided on some tracks, such as "The Gresford Disaster". For many, though, the outstanding track of the whole album is "Poor Old Horse", building up from a single fiddle over six minutes to a massed choir with high voices (Kate McGarrigle, Julie Covington and Linda Thompson) and gravelly guitars. "Poor Old Horse" was released as a single in 1978 (Harvest: HAR 5156) and named as "Record of the Week" by the BBC Radio 1's Simon Bates, but made no impact on the charts.