Rio Kishida
| Rio Kishida | |
|---|---|
| Born |
January 3, 1946 Okaya, Nagano Prefecture |
| Died | June 28, 2003 (aged 57) Okaya, Nagano Prefecture |
| Nationality | Japanese |
| Occupation | dramatist, writer |
Rio Kishida (岸田 理生 Kishida Rio, 1946–2003) was a Japanese playwright and director. She wrote several plays about women and the problems they faced in a patriarchal society that run parallel with the second wave of the feminist movement in Japan. Even though she did not strictly identify herself as a feminist, she believed that the system of a male dominated society had to change in order for women to gain equal rights as their male counterpart.
Kishida was born in 1946 in the Nagano Prefecture, Japan. In 1974, Kishida graduated from the Law School of Chuo University. She was qualified for the bar, but instead chose to join Shūji Terayama’s theater company Tenjō Sajiki (Ceiling Gallery). She collaborated with Terayama, who she viewed as a mentor, in writing Shintokumaru(Poison Boy), The Audience Seats, and Lemmings. Even though Terayama had collaborated with several people, Kishida was the only one in his troupe to have collaborated with him several times. It is not clear as to who wrote which parts of the plays.
Kishida, with the permission from Terayama, founded her own company Because of My Older Brother Theater and wrote her own plays that were independent from Tenjō Sajiki in 1978. Kishida wanted to write plays about women and issues that they faced against as the main focus. Kishida changed the name of her theater company to The Kishida Office after she had left Tenjō Sajiki in 1981. It wasn't until after her mentor's death in 1983 that she had established herself as being completely independent from Tenjō Sajiki and left Terayama's shadow.
In 1983, The Kishida Office became The Kishida Office & The Optimists Group after merging with Yoshio Wada’s theater company, The Optimists Group. Kishida’s play Itojigoku (Thread Hell), was first produced in 1984 and won the Kishida Prize for Drama in 1985. She began to write her plays independently again after 1993 with her company, The Kishida Rio Company. At this time, she was interested in Korea’s art and even invited Korean actors to create bilingual plays with the actors of her company. Her play Tori yo, Tori yo, Aoi Tori yo (Bird, Bird, Blue Bird!) deals with the destruction of Korea’s language and culture due to Japan’s occupation in Korea.
While working with the Singaporean director Ong Keng Sen, Kishida rewrote several of William Shakespeare’s plays for performances in multiple languages. In 1997, Kishida wrote Lear and Ong Keng Sen was the director of the play. She wrote her own version of Othello in 2001 called Desdemona. Both Desdemona and Lear were written with characters from all around the world and different backgrounds including a noh actor, a Burmese puppeteer, and a Korean musician. Kishida became the lead organizer of 3rd Asian Women’s Theatre Conference after Kahoru Kisaragi died in 2001.
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