Rigor Mortis Sets In
| Rigor Mortis Sets In | ||||
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| Studio album by John Entwistle | ||||
| Released | As Rigor Mortis Sets In in May 1973 (UK) and as John Entwistle's Rigor Mortis Sets In in June 1973 (US) | |||
| Recorded | October - November 1972 | |||
| Studio | Nova Sound Studios, London, England | |||
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| Length | 33:58 | |||
| Language | English | |||
| Label | Track Records | |||
| Producer | John Entwistle, John Alcock | |||
| John Entwistle chronology | ||||
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| USA Cover | ||||
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Rigor Mortis Sets In is the third solo album by John Entwistle, who was the bassist for The Who. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties rock and roll covers, a new version of the Entwistle song "My Wife" from The Who's album Who's Next, and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity.
Bearing the dedication "In Loving Memory of Rock 'n' Roll 1950–∞: Never Really Passed Away Just Ran Out of Time", Entwistle's affection for Fifties rock and roll was evident by covers of "Mr. Bass Man", "Hound Dog", and "Lucille". As George Lucas had released American Graffiti at the same time as Rigor Mortis Sets In was released, creating a huge market for Fifties nostalgia, Entwistle's timing was uncannily prescient. In Entwistle's original material for the album, light whimsy prevailed over the darker (and more creative) vein of Smash Your Head Against the Wall and Whistle Rymes. The album was completed in less than three weeks, ultimately costing $10,000 in studio time and $4,000 on liquor bills.
The cover art of the gatefold LP features on one cover an outdoor photo of a grave, whose heart-shaped headstone is engraved with the dedication described above, while the grave's footstone is inscribed "V.S.O.P." (a grading acronym for cognac). The opposite cover features a wooden coffin bearing a brass plate engraved with the album's name. The UK (Track) LP used the coffin on the cover and the gravestone on the inner gatefold, while the U.S. (MCA) LP had the opposite arrangement. Compact disc releases have been fronted with Track's original coffin cover, with the gravestone cover proportionally preserved inside as part of the liner notes.
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