Richard Youngs
| Richard Youngs | |
|---|---|
| Born | 29 May 1966 |
| Origin | Cambridge, England, United Kingdom |
| Genres | Experimental, folktronica, progressive rock |
| Occupation(s) | Musician |
| Instruments | Vocals, guitar, various |
| Years active | 1979–present |
| Labels | Jabberwok, No Fans, Jagjaguwar, VHF |
Richard Youngs is a British musician with a prolific and diverse output, including many collaborations. Based in Glasgow since the early 1990s, his extensive back catalogue of and collaborative work formally begins with Advent, first issued in 1990. He plays many instruments, most commonly choosing the guitar, but he has been known to use a wide variety of other instruments including the shakuhachi, accordion, theremin, dulcimer, a home-made synthesizer (common on early recordings) and even a motorway bridge. He also released an album which was entirely a cappella.
For many years, live performances were very occasional and almost always in Glasgow; he has stated publicly that he finds live performance "incredibly nerve-racking: stomach cramps, tension headaches...". However, in recent years, he has performed more regularly (including a tour of New Zealand in 2010 and a UK tour in support of Damon and Naomi in 2011) and many of his recent shows have been predominantly vocal - he told The Wire (issue 284) "I went to a laptop concert and decided I was going to sing".
His music has been noted for its diversity, with Dusted saying that he had been "defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him". He has been recording for most of his life, telling Foxy Digitalis that "I've made music as long as I can remember - ever since I was a child - and recorded the stuff as long as I've had the technology - I began with a cheap cassette player. So, it's strange to think what it'd be like not to make or record music. It seems unnatural!". When reviewing his 1996 CD Festival, Melody Maker described him as "grand-meister of contemporary British improv, spiritual son of Eddie Prevost and Maddy Prior; gentle manipulator of English hymn-notics and religious incantations; protege, challenger and radicaliser of folk, blues, rock, minimalism and improvisation; translator for the sea and the rain and the sky; ambassador to war and peace, to love and anguish".
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