Richard Shephard MBE,DL,FRSCM (b. 1949) is a composer, former educator, and Director of Development and Chamberlain of York Minster. He is acclaimed as one of the most significant composers of church music today.
Shephard was a chorister at Gloucester Cathedral, where the organist was then the composer Herbert Sumsion before taking a degree at Corpus Christi College, Cambridge. While at Cambridge, Shephard studied under composer David Willcocks, Hugh Macdonald, the great expert on Berlioz, and Alan Ridout. He started his musical career as a lay clerk in Salisbury Cathedral Choir, and at this time was Conductor of the Salisbury Grand Opera Group, the Farrant Singers, Guest Conductor of the Salisbury Orchestral Society and Musical Director of various productions at the Salisbury Playhouse. It was at this time when he was greatly influenced by Richard Seal and Lionel Dakers, the former director of the Royal School of Church Music. An article published in 1987 in the Musical Times by Dakers,The RSCM: Past, Present...and Future, states that "Our policy is to provide music of quality and interest for every contingency which can then be absorbed into a choir's working repertory. Aston, Oxley, How, Shephard, and Sumsion feature in our catalogue because they measure up to these needs, produce what we want and what we can consequently sell in large numbers." Years later, in 2000, Shephard and Dakers would both contribute to The IAO Millennium Book, Thirteen essays About the Organ, a publication which comprises contemporary writings related to the organ and written by distinguished composers of the day. Shephard's article was entitled Composing for the Church today, in which he discussed current demands on church music composers in the 20th century. His first opera, The Turncoat was composed for the Salisbury International Arts Festival.