Richard MacDonald

Richard MacDonald
Richard MacDonald
Born	1946 (age 70–71) Pasadena, California
Nationality	American
Known for	Sculpture
Notable work	Momentum, 100th Anniversary, U.S. Open at Pebble Beach; The Flair, Georgia World Congress Center, Atlanta, Georgia
Movement	Realism

Richard MacDonald (born 1946) is a California-based contemporary figurative artist known for his bronze sculptures.

Educated in painting and illustration at the Art Center College of Design, MacDonald was successful as a commercial illustrator until his late thirties when a fire destroyed his studio, along with the accumulated works of his career as painter and illustrator. Subsequently, he began sculpting in earnest and within ten years became one of the most collected present-day figurative sculptors in America. His work has been acquired for the permanent collections of corporations such as AT&T, IBM, and Anheuser-Busch, as well as notable private collections. His work has been described as "paying tribute to the eloquence of the human form." He is an advocate of neo-realism and figurative art, and has fostered emerging and professional artists through annual international Masters Workshops.

MacDonald's work portrays "the beauty of the human body and the spirit that drives it." He works consistently with models throughout the process of creating a sculpture, often celebrated dancers, performers, and athletes. MacDonald draws and sculpts his subjects over and over, often requiring models to repeat a specific dance move or spontaneous gesture. This may include small, quick sketches in an oil-base plasticine clay that are refined and enlarged. A mold is used to create editions in bronze through the "lost wax" technique. For each of MacDonald's work he creates the final patina or surface coloration that is subsequently duplicated by the patina artists on his staff for the remainder of the edition. The final patinated bronze is affixed to a marble base, also designed and selected by the artist as part of the overall sculptural composition.

For the 1996 Summer Olympics, MacDonald created The Flair, a 26-foot-tall sculpture of a gymnast. As with all the monuments he has completed, MacDonald designed the plaza on which The Flair sits, including a large reflective pool and fountain.

The 15-foot-tall, 10,000-pound sculpture sits atop a 22,000-pound granite base, installed at the Peter Hay Golf Course in Pebble Beach, California to commemorate the 100th U.S. Open Golf Championship. The sculpture accurately portrays the mechanics of an ideal golfer swing. The granite base features the names of the first 100 winners of the U.S. Open. The reverse side provides space for the next hundred winners.

MacDonald has started work on The Grand Coda, a memorial to Dame Ninette de Valois, founder of The Royal Ballet and The Royal Ballet School. The monument is to be installed at White Lodge in Richmond Park, London, England, a historic royal retreat that is now home to The Royal Ballet School. This work-in-progress is currently in development at the artist's studios in California and London.

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