Rhodri Marsden
| Rhodri Marsden | |
|---|---|
Marsden in 2012
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| Background information | |
| Born | October 1, 1971 |
| Occupation(s) | writer, musician |
| Instruments | keyboards, guitar, bass |
| Years active | 1990–present |
| Associated acts | The Keatons, Gag, Frank Sidebottom, Scritti Politti, Prescott, Dream Themes, The Free French |
Rhodri Marsden (born 1 October 1971) is a London-based writer and musician.
Prior to the demise of the print edition of The Independent, Marsden wrote a technology column for nearly ten years, along with other columns on a range of subjects for the daily paper and the Saturday magazine. He previously wrote The Observer Music Monthly's "Guitarist Wanted" column, which required him to go undercover to audition for bands that he had no intention of joining. Apart from music and technology writing, Marsden is well known for his humorous, offbeat features written in an understated, self-deprecating style. Other publications he has written for include The Guardian, Time Out, New Statesman, Daily Telegraph and Olive magazine. His first book, FWD This Link, was published by Rough Guides in 2008 and his next, The Next Big Thing followed a year later. A third, Crap Dates: Disastrous Encounters From Single Life, was published in February 2012 and featured stories of people's terrible dates that were initially shared on Twitter and subsequently went viral.
From 1990–95 Marsden played guitar in London art-punk collective The Keatons, who notably supported Blur on their first tour of the UK but were thrown off for unprofessional conduct – as documented in Blur's biography, 3862 Days. He also sang with Gag, who recorded a Peel Session in 1993 – although Marsden had an earlier run-in with John Peel at the age of 17 when his fanzine, Glottal Stop, was the subject of a piece on Peel's show on BBC Radio Cambridgeshire.
In 2007 he worked on a DIY music project called "The Schema" – an attempt to get a single written, recorded, released and promoted on the internet in the space of a month. The accompanying video, directed by Alex de Campi and featuring Marysia Kay, became a hit on YouTube, but the single sold poorly.
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