Author | Søren Kierkegaard |
---|---|
Original title | Gjentagelsen. Et Forsøg i den experimenterende Psychologi af Constantin Constantius |
Country | Denmark |
Language | Danish |
Genre | Psychology, moral philosophy, Christian philosophy, philosophical novel |
Publisher | C.A. Reitzel's, Printed by Biance Luno Press |
Publication date
|
October 16, 1843 |
Published in English
|
1941 - First Translation by Walter Lowrie |
Pages | ~100 |
OCLC | 189619 |
Preceded by | Three Upbuilding Discourses, 1843 |
Followed by | Four Upbuilding Discourses, 1843 |
Repetition (Danish: Gjentagelsen) is an 1843 book by Søren Kierkegaard and published under the pseudonym Constantin Constantius to mirror its titular theme. Constantin investigates whether repetition is possible, and the book includes his experiments and his relation to a nameless patient known only as the Young Man.
The Young Man has fallen in love with a girl, proposed marriage, the proposal has been accepted, but now he has changed his mind. Constantin becomes the young man's confidant. Coincidentally, the problem that the Young Man had is the same problem Kierkegaard had with Regine Olsen. He had proposed to her, she had accepted but he had changed his mind. Kierkegaard was accused of "experimenting with the affections of his fiancée".
Charles K. Bellinger says Either/Or, Fear and Trembling and Repetition are works of fiction, "novelistic" in character; they focus on the boundaries between different spheres of existence, such as the aesthetic and the ethical, and the ethical and the religious; they often focus on the subject of marriage; they can be traced back to Kierkegaard's relationship with Regine." There is much in this work that is autobiographical in nature. How much is left up to the reader. Kierkegaard explores the conscious choices this Young Man makes.
Kierkegaard published Fear and Trembling, Three Upbuilding Discourses, 1843 and Repetition all on the same date, October 16, 1843. Abraham was the main character in Fear and Trembling and the Three Upbuilding Discourses were about love. Repetition presents a noticeable contrast between the other two books that is almost comical. He takes up the idea of repetition again in his 1844 work The Concept of Anxiety where he explores the concepts of sin and guilt more directly. The book could be the counterpart of Goethe's Clavigo, which Kierkegaard dealt with in Either/Or.
Constantin believes that "repetition and recollection are the same movement, except in opposite directions, for what is recollected has been, is repeated backward." An individual can remember some past event or emotional experience with intensity. That individual might try to "repeat pleasure continuously and eternalize the pleasure in the temporal". This is what Constantin is trying to accomplish. He hopes that Repetition will become a new philosophical category. That it will trump Hegel and explain the relation between the Eleatics and Heraclitus. "Mediation” is a foreign word; “repetition” is a good Danish word, according to him.