René Guilleré
| René Guilleré | |
|---|---|
| Born |
16 August 1878 Valenciennes, France |
| Died | 24 November 1931 (aged 53) Brussels, Belgium |
| Nationality | French |
| Occupation | Lawyer |
| Known for | Atelier Primavera |
René Guilleré (16 August 1878 – 24 November 1931) was a French lawyer who founded the Ateliers Primavera, which made decorative art objects.
René Guilleré was born in 1878. He became a lawyer. He was a lover of art and music, a collector of African art, a poet and dramatic author. He joined the movement L'Art dans Tout, which encouraged artists interested in decorative arts. Guilleré had a passion for authentic artisan objects. He was one of the founders of the Société des artistes décorateurs (SAD) in 1901 "to react against commercialism, shameful copying, bad taste and the inertia of trade and industry." He helped organize the first SAD exhibition in 1904. He also contributed to various reviews.
In March 1906, in Paris, Guilleré married Charlotte Chauchet (1878–1964), a young painter. They had a house built in brick and slate, with an unpretentious but elegant facade, at 13 rue Eugénie Gérard in Vincennes. Guilleré was president of the Société des artistes décorateurs in 1911. He arranged for foundation of the Atelier Primavera, which made decorative art for sale by the Printemps department stores. He was one of the moving forces behind the 1925 Exposition internationale des arts décoratifs et industriels modernes.
René Guilleré died in 1931, aged 53. One of his books of poetry, Funiculaire, was published posthumously with a preface by his friend Léon-Paul Fargue.
Around 1910 Guilleré met Peter Laguionie, one of the managers of the Printemps department stores, who agreed to promote the work of decorative artists in his stores. Laguionie had already arranged competitions for decorative art and had offered some modern furniture, but the energetic Guilleré persuaded him to go further and support production. The Atelier Primavera was founded in 1912, with Guilleré's wife as its head. Guilleré codirected the workshop. In its first year it created and distributed more than 800 models, but production was halted with the outbreak of war in 1914.
The atalier reopened after the war. Guilleré and his wife recruited talented young people, mostly under thirty years old and believers in the new aesthetics. They purchased the Faïencerie de Ste-Radegonde and commissioned innovative ceramicists. Primavera created furniture, fabrics, wallpaper, lights, carpets, mirrors, vases and statuettes. Modern and affordable products were made for the mass market. Primavera also made complete sets of furniture and decoration for wealthy private or public clients, including hotels, casinos and embassies. They also submitted work to exhibitions such as the Salon des Artistes décorateurs, Salon d'Automne, Salon des Artistes français and Salon de la Décoration contemporaine. Other department stores followed the lead of Printemps, with La Maïtrise at Galeries Lafayette in 1921 under Maurice Dufrêne, Pomone at Le Bon Marché in 1923 under Paul Follot and Studium Louvre at Magasins du Louvre in 1924.
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