Remedy | ||||
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Studio album by Basement Jaxx | ||||
Released | 10 May 1999 | |||
Recorded | 1998 | |||
Genre | House | |||
Length | 57:03 | |||
Label | XL | |||
Producer |
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Basement Jaxx chronology | ||||
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Singles from Remedy | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 88/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 5/5 |
Entertainment Weekly | A |
Melody Maker | |
Muzik | |
NME | 9/10 |
Pitchfork Media | 3.5/10 |
Q | |
Rolling Stone | |
USA Today |
Remedy is the debut studio album by English electronic music duo Basement Jaxx, released in May 1999 by record label XL.
The album was very well-received critically, and reached number 4 in the UK albums chart. Four singles were released from the album: "Red Alert", "Rendez-Vu", "Jump n' Shout" and "Bingo Bango".
When Basement Jaxx first rose to stardom, the duo was unsatisfied with the state of dance music, describing it as "linear" and "close-minded". "Most dance music is very shiny and so robotic," Ratcliffe told Rolling Stone. "There's just not much feeling. If we made a record like that, we'd be just like everybody else." Consequently, the title Remedy was chosen as "an antidote" to the "poisons" they saw within dance music. "A lot of it seems quite superficial," Ratcliffe said.
"For me, Remedy was always about togetherness, which is the appeal of house music. You may be black; you may be white; you may be Jew; you may be gentile. It doesn’t matter in our house," Buxton said.
Remedy was released on 10 May 1999 in the UK and 3 August 1999 in the US, by record label XL. It reached number 4 in the UK Albums Chart.
Four singles were released from the album: "Red Alert" on 19 April, "Rendez-Vu" on 2 August, "Jump n' Shout" on 25 October and "Bingo Bango" on 3 April 2000. "Red Alert" was the first Basement Jaxx single to reach number 1 on the U.S. Hot Dance Music/Club Play chart. "Rendez-Vu" also reached number 1 later in the year, and "Bingo Bango" became their third number 1 single the following year.
In 2014, Ratcliffe revealed that XL was planning to re-release the album with a documentary about that period of their career.