Release (The X-Files)
| "Release" | |
|---|---|
| The X-Files episode | |
| Episode no. | Season 9 Episode 17 |
| Directed by | Kim Manners |
| Story by |
John Shiban David Amman |
| Teleplay by | David Amann |
| Production code | 9ABX16 |
| Original air date | May 5, 2002 |
| Running time | 44 minutes |
| Guest appearance(s) | |
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"Release" is the seventeenth episode of the ninth season of the American science fiction television series The X-Files. The episode originally aired on the Fox network on May 5, 2002. The teleplay for the episode was written by David Amann, from a story by John Shiban and Amann, and was directed by Kim Manners. The episode helps to explore one of the show's story arc involving John Doggett finding the truth behind his son's murder. The episode earned a Nielsen rating of 5.1, being watched by 5.38 million households, and 7.8 million viewers in its initial broadcast. The episode received largely positive reviews from critics.
The show centers on FBI special agents who work on cases linked to the paranormal, called X-Files; this season focuses on the investigations of John Doggett (Robert Patrick), Monica Reyes (Annabeth Gish), and Dana Scully (Gillian Anderson). In this episode, Doggett stumbles upon a case that may hold a connection to the murder of his son. With the help of an FBI cadet named Rudolph Hayes (Jared Poe), Doggett acquires information to help his current case as well as establish the link between the present, his Jane Does, and the past—his son, Luke. The link is a man named Nicholas Regali, an organized crime participant who has an association with Bob Harvey, the only suspect in Luke's case. Though the cadet, Hayes, is not who he says he is, his information proves invaluable in Doggett's search for release from his son's death.
The idea for "Release" was developed by Shiban, who handed the script over to Amann. The character of Rudolph Hayes was crafted to be an ambiguous character: either he was a genius who was adept at solving crime, comparable to Sherlock Holmes, or he was a criminal mastermind, like Professor Moriarty. The final scene, featuring Doggett scattering his son's ashes, was difficult for Patrick to film, but thanks to Manners' help, he was able to achieve the desired effect.
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