Regional theatre in the United States

A regional theatre, or resident theatre, in the United States is a professional or semi-professional theatre company that produces its own seasons. The term regional theatre most often refers to a professional theatre outside of New York City. A regional theatre may be a non-profit, commercial, union, or non-union house.

Regional theaters often produce new plays and challenging works that do not necessarily have the commercial appeal required of a Broadway production. Companies often round out their seasons with selections from classic dramas, popular comedies, and musicals. Some regional theaters have a loyal and predictable base of audience members which can give the company latitude to experiment with a range of unknown or "non-commercial" works. In 2003, Time magazine praised regional theaters in general, and some top theaters in particular, for their enrichment of the theater culture in the United States. Some regional theaters serve as the "out of town tryout" for Broadway-bound shows, and some will even accept touring broadway shows, though those more typically play at commercial road houses.

The types of plays which are staged at regional theaters varies dramatically. While some are devoted to the classics, others only produce new work, or American work, or something else entirely, depending on the vision of the organization's leadership as well as its founding charter.

Many regional theaters operate at least two stages: a main stage for shows requiring larger sets or cast, and one or more other stages (often studio theaters or black box theaters) for smaller, more experimental or avant-garde productions. In addition to box-office revenue, regional theaters rely on donations from patrons and businesses, season ticket subscriptions, and grants from foundations and government. Some have criticized regional theaters for being conservative in their selection of shows to accommodate the demographics of their subscribers and donors. However, regional theaters are often much more experimental than that commercial theaters that rely solely on ticket sales. The LORT theaters represent the not-for-profit theaters in the country that pay wages to artists. Due to audience feedback, artistic staff, and a theater's history, each theater may develop its own reputation both in its city and nationally.

Some regional theaters commit to developing new works and premiering new plays. Theaters that develop new work, like Long Wharf Theatre, La Jolla Playhouse, McCarter Theatre and Berkeley Repertory Theatre, often work to move their productions to Broadway venues in New York. They also educate young audiences through educational outreach programs that teach the basics of the dramatic arts. Cooperative programs with nearby university theater programs are also common at regional theaters. For example, the Asolo Repertory Theatre is a member of LORT and partners with Florida State University in operating the Florida State University/Asolo Conservatory for Actor Training.

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