Reggie Houston

Reggie Houston (born July 2, 1947, New Orleans, Louisiana, United States) is an American musician who plays soprano saxophone, tenor saxophone, alto saxophone and baritone saxophone. He is best known for his association with the New Orleans pianist Fats Domino.

A seventh generation New Orleanian, Houston was born in New Orleans, Louisiana to Ralph Houston, a pianist and acoustic bassist, and Margarete Houston, who was both an educator and social activist. At the age of 10 Reggie Houston began studying the saxophone.

Houston's first professional gig came at the age of 12 when he joined the Batiste family band, The Gladiators, widely considered to be one of the pioneering bands of funk.

Houston continued to perform with The Gladiators throughout high school and while home on holiday from his undergraduate studies at Southern University and Xavier University of Louisiana. Although performing jazz, blues and funk throughout New Orleans during this time, it was forbidden to practice these musical styles in any African American university in the United States.

After returning from fighting in the Vietnam War, Houston learned that his former Southern University music professor, Alvin Batiste had just begun a jazz program at Southern University. Houston made a phone call to Southern University and one day later was studying with Alvin Batiste in the country's first university jazz program . (Years later Houston returned to Southern to reunite with the former students of that class, and to be inducted into The Music Hall of Fame at Southern University where Alvin Batiste worked until his death in 2007.)

While Houston was preparing for graduation from Southern, Batiste was being consulted about the organization of the first annual New Orleans Jazz & Heritage Festival. Alvin convinced Quint Davis (who would become the main creative force behind the festival) to hire some of the graduate students from Southern's jazz program. Upon his graduation in 1973, Houston returned to New Orleans and was immediately put to work in the jazz tent at The New Orleans Jazz and Heritage Festival. Over the next ten years Houston became an integral part of the festival, and as a paid employee of the festival, he worked as stage manager, booking agent, and emcee.

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