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Red and Anarchist Skinheads


Skinheads Against Racial Prejudice (SHARP) are anti-racist skinheads who oppose neo-fascists and other political racists, particularly if those racists identify themselves as skinheads. SHARPs draw inspiration from the biracial origins of the skinhead subculture, and resent what they see as the hijacking of the "skinhead" name by white power skinheads (sometimes deriding them as "boneheads"). Beyond the opposition to racism, there is no official SHARP political ideology.

The SHARP logo is based on the logo of Trojan Records, which originally mainly released black Jamaican ska, rocksteady, and reggae artists. Some variants of this design also incorporate the checkerboard motif of 2 Tone Records, known for its multiracial roster of ska- and reggae-influenced bands.

The way in which SHARPs, or skinheads against racial prejudice, dress is to project an image that looks hard and smart, in an evolving continuity with style ideals established in the middle-to-late 1960s. This style and demeanour originated from the UK, growing out of the pre-existent Mod movement, taking cues and influences from Jamaican ska and Rude Boy culture. They remain true to the style's original purpose of enjoying life, clothes, attitude and music. This does not include blanket hatred of other people based on their skin colour.

The original skinhead subculture started in the United Kingdom in late 1960s, and had heavy British mod and Jamaican rude boy influences, including a love for ska and soul music. Although some skinheads (including black skinheads) had engaged in "Paki bashing" (random violence against Pakistanis and other South Asian immigrants), skinheads were not associated with an organized racist political movement in the 1960s. This was simply because Britain was at the time a culturally racist society. However, in the late 1970s, a skinhead revival in the UK included a sizable white nationalist faction, involving organizations such as the National Front, British Movement, Rock Against Communism and in the late eighties Blood and Honour. Because of this, the mainstream media began to label the whole skinhead identity as neo-fascist. This new white power skinhead movement then spread to other countries, including the United States.


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