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Red Lights (2012 film)

Red Lights
Red Lights FilmPoster.jpeg
Theatrical film poster
Directed by Rodrigo Cortés
Produced by
  • Rodrigo Cortés
  • Adrián Guera
Written by Rodrigo Cortés
Starring
Music by Victor Reyes
Cinematography Xavi Giménez
Edited by Rodrigo Cortés
Distributed by Millennium Entertainment
Release date
  • January 20, 2012 (2012-01-20) (Sundance)
  • March 2, 2012 (2012-03-02) (Spain)
  • June 15, 2012 (2012-06-15) (United Kingdom)
  • July 13, 2012 (2012-07-13) (United States)
Running time
113 min.
Country
  • Spain
  • United States
Language English
Budget €14,000,000
Box office $13,551,174

Red Lights is a 2012 Spanish-American drama film written and directed by Rodrigo Cortés and starring Cillian Murphy, Sigourney Weaver, Robert De Niro, Toby Jones, Elizabeth Olsen, Joely Richardson and Leonardo Sbaraglia. The plot focuses on a physicist (Murphy) and a university psychology professor (Weaver), both of whom specialise in debunking supernatural phenomena, and their attempt at discrediting a renowned psychic (De Niro) whose greatest critic mysteriously died 30 years prior.

The film premiered at the Sundance Film Festival in January 2012, and received a limited release in the United States on 13 July 2012.

The film opens with two primary characters: university academic Margaret Matheson (Sigourney Weaver), who investigates claims of paranormal phenomena, and her assistant Tom Buckley (Cillian Murphy), a physicist. The audience is provided with an insight into the world of the opening section's primary characters while concurrently observing the public reemergence of a psychic, Simon Silver (Robert De Niro).

The ending of the film's first half is signified by the sudden death of Matheson from a chronic vascular condition at the same time that one of Silver's comeback performances takes place, an incident that is particularly significant due to the death of a former nemesis of Silver, a skeptic who investigated the psychic's work, under similar circumstances. Matheson also had a previous encounter with Silver. She recounted a public meeting when Silver had, for an instant, got the best of her by bringing up the subject of her son's spirit (her son was in a vegetative coma and on life support). Matheson agrees only to appear on a televised panel in anticipation of Silver's return. Prior to her death, Matheson refuses to cooperate with Buckley's insistent call to undertake another investigation of Silver, warning Buckley against such an undertaking due to her previous experience with the psychic.


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