Real to Reel (Marillion album)
| Real to Reel | ||||
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| Live album by Marillion | ||||
| Released | November 1984 | |||
| Recorded | 5 March 1984 at De Montfort Hall (Leicester, England) and 19–20 June 1984 at the Spectrum (Montreal, Canada) | |||
| Genre | Neo-progressive rock | |||
| Length | 46:48 (LP) / 52:05 (CD) | |||
| Label | EMI | |||
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| Marillion chronology | ||||
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| Source | Rating |
| AllMusic |   |
Real to Reel is the first live album by the British neo-progressive rock band Marillion, released in November 1984. It was co-produced by Simon Hanhart who had mixed the first two studio albums and co-produced the studio version of "Cinderella Search".
Real to Reel was recorded on 5 March 1984 at De Montfort Hall in Leicester, England and 19–20 June 1984 at the Spectrum in Montreal, Canada.
In addition to two songs each from the first two albums, Script for a Jester's Tear (1983) and Fugazi (1984), the original LP version contained two tracks previously not available on any albums, the A-side of the band's 1982 debut single "Market Square Heroes" and "Cinderella Search", the B-side of "Assassing". Recorded at the Spectrum, "Emerald Lies" from Fugazi was originally a bonus track on the CD and cassette versions.
Writing for AllMusic, Eduardo Rivadavia praised Real to Reel in a three-out-of-five star retrospective review. He called the album "an excellent live document of Marillion" and "a strong case for the many fans who actually prefer the band's more refined live versions over their rather flat studio counterparts". Rivadavia also claimed 10-minute antiwar "Forgotten Sons" to be the pinnacle of the album.
No singles from the album were released, but nevertheless Real to Reel managed to reach number 8 in the UK Albums Chart and linger there for 22 weeks. It was certified Gold by the BPI on 9 July 1985 for sales in excess of 100.000 copies.
Real to Reel was initially released on LP, 12" picture disc, cassette, and CD.
In 1997, the album was re-released as a two-disc set bundled with Brief Encounter, an extended-play originally made by EMI's American label Capitol Records to promote the band's 1986 US tour. This edition was not part of the remastered series of Marillion's first eight studio albums that EMI released in 1997–1998. However, it was digitally remastered at Abbey Road Studios by Brian Fifield.
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