"Reach for the Dead" is a song by the Scottish electronic music duo Boards of Canada. It is the second track and lead single from the duo's fourth studio album, Tomorrow's Harvest (2013). "Reach for the Dead" was premiered on Zane Lowe's programme on BBC Radio 1 on 23 May 2013 and released later the same day on Warp Records' official Soundcloud.

The single was preceded by "------ / ------ / ------ / XXXXXX / ------ / ------", an exclusive 12" single released on Record Store Day 2013, which contained cryptic clues about Tomorrow's Harvest's release. A music video directed by Neil Krug, a Los Angeles-based photographer, was later premiered in Tokyo, Japan, and a reversed version of the video was released online. Critical reception to "Reach for the Dead" was generally positive.

"Reach for the Dead" was premiered on Zane Lowe's programme on BBC Radio 1 on 23 May 2013. Following the broadcast, it was released on Warp Records official Soundcloud and made available through online digital retailers. A promotional CD single was released in Europe on 17 June 2013, following Tomorrow's Harvest's release.

Critical response to "Reach for the Dead" was generally positive. Billboard writer Lars Bradle said that "if [Boards of Canada]'s followers were hoping for an upbeat treat in the vein of 2005's 'Davyan Cowboy,' then think again. 'Reach for the Dead' finds the act in an experimental, and slightly off-key mode. It's a haunting track. There's not a hint of a drum beat until mark of 2.50 minute mark. But it's unmistakably [Boards of Canada]." He added that "the duo don't make bombastic music [...] but in the world of low-key electronic music, they're arguably the best at what they do." Brock Thiessen of Exclaim! wrote: "much like you'd expect, the track takes a sombre route, hitting those [Boards of Canada] touchstones while adding a whole new layer of updated and wicked-eerie atmospherics to the mix" and The A.V. Club's Marah Eakin noted that "Reach for the Dead" was "for all intents and purposes, a Boards Of Canada single, complete with experimental tones and a complete lack of drums for most of the track." Nick Neyland of Pitchfork Media stated that the song is "much darker than most of their prior material, marrying the mournfulness of Popol Vuh’s soundtrack work with the swell of underground artists producing John Carpenter-indebted electronica." Tom Breihan of Stereogum described the song as "an ominous, humming instrumental drone-piece with just a few hints of the sad nostalgia that the group used to radiate." He also stated that "until the glitchy drums kick in two-thirds of the way through", the song sounds like "something that would be playing on the score of a great ’80s sci-fi movie."

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