Rawhide Kid

The Rawhide Kid
The Rawhide Kid vol. 4, #1 (June 2010)
Publication information
Publisher	Atlas Comics / Marvel Comics
First appearance	Rawhide Kid #1 (March 1955)
Created by	Stan Lee (writer) Bob Brown (artist)
In-story information
Alter ego	Johnny Bart
Team affiliations	Avengers West Coast Avengers The Sensational Seven
Notable aliases	Johnny Clay
Rawhide Kid
Series publication information
Publisher	Atlas Comics Marvel Comics
Schedule	Bimonthly
Format	Ongoing series
Genre	Western
Publication date	(Atlas) Mar. 1955 – Sept. 1957 (Marvel) Aug. 1960 – May 1979
Number of issues	135
Main character(s)	Rawhide Kid
Creative team
Writer(s)	Stan Lee, Larry Lieber, Ron Zimmerman
Artist(s)	Bob Brown, Larry Lieber
Penciller(s)	Jack Kirby
Inker(s)	Dick Ayers
Collected editions
Marvel Masterworks: Rawhide Kid vol. 1
Marvel Masterworks: Rawhide Kid vol. 2

The Rawhide Kid (real name: Johnny Bart, originally given as Johnny Clay) is a fictional Old West cowboy appearing in American comic books published by Marvel Comics. A heroic gunfighter of the 19th-century American West who was unjustly wanted as an outlaw, he is one of Marvel's most prolific Western characters. He and other Marvel western heroes have on rare occasions guest-starred through time travel in such contemporary titles as The Avengers and West Coast Avengers. In two mature-audience miniseries, in 2003 and 2010, he is depicted as gay.

The Rawhide Kid debuted in a 16-issue series (March 1955-Sept. 1957) from Marvel's 1950s predecessor, Atlas Comics. Most of the covers from the series were produced by highly acclaimed artists, generally either Joe Maneely or John Severin, but also Russ Heath and Fred Kida. Interior art for the first five issues was by Bob Brown, with Dick Ayers at the reins thereafter.

After a hiatus, the Rawhide Kid was revamped for what was now Marvel Comics by writer Stan Lee, penciler Jack Kirby and inker Ayers. Continuing the Atlas numbering with issue #17 (Aug. 1960), the title now featured a diminutive yet confident, soft-spoken fast gun constantly underestimated by bullying toughs, varmints, owlhoots, polecats, crooked saloon owners and other archetypes squeezed through the prism of Lee & Kirby's anarchic imagination. As in the outsized, exuberantly exaggerated action of the later-to-come World War II series Sgt. Fury and His Howling Commandos, The Rawhide Kid was now a freewheeling romp of energetic, almost slapstick action across cattle ranches, horse troughs, corrals, canyons and swinging chandeliers. Stringently moral, the Kid nevertheless showed a gleeful pride in his shooting and his acrobatic fight skills — never picking arguments but constantly forced to surprise lummoxes far bigger than he.