Rarig Center
| Rarig Center | |
|---|---|
The Rarig in 2010 from the north
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| General information | |
| Type | Theater |
| Architectural style | Brutalism |
| Address | 330 21st Avenue South, Minneapolis, MN 55455 |
| Coordinates | 44°58′13″N 93°14′32″W / 44.9704083°N 93.2423223°WCoordinates: 44°58′13″N 93°14′32″W / 44.9704083°N 93.2423223°W |
| Completed | 1971 |
| Owner | University of Minnesota |
| Design and construction | |
| Architect | Ralph Rapson and Associates |
| Website | |
| Official website | |
The Rarig Center is a brutalist theater, television, radio, and classroom building on the University of Minnesota's campus in the West Bank neighborhood of Minneapolis, Minnesota, US. Designed by Ralph Rapson and built in 1971, the structure houses four theaters—a thrust, proscenium, theater in the round, and black box—as well as the studios for Radio K. An anchor for the University's West Bank Arts Quarter, the Rarig has been praised for its boldness and functionality while also being described as "menacing".
The Rarig Center was designed and built in 1971 by American architectural firm Ralph Rapson and Associates. Erected in the West Bank neighborhood of Minneapolis on the campus of the University of Minnesota, the Rarig was constructed to house theaters and television studios. It sits due west of Ferguson Hall (1985), across 4th Street South to the north of the Regis Center for Art (2003), and directly southeast of Wilson Library (1967). It is the oldest of the five buildings to make up the University's West Bank Arts Quarter.
Rapson's design for the Center borrowed imagery from Swiss-French designer Le Corbusier's New Brutalism movement. In a contemporary review of the structure, author Larry Millett noted that the Rarig is the "strongest architectural statement on the West Bank campus." Upon venturing inside, he wrote, "you half expect to find the leaders of the Evil Empire gathered somewhere in the three-story-high atrium, plotting the demise of Luke Skywalker." Authors David Gebhard and Tom Martison indicated that, like other Rapson-designed theaters, the Rarig's were quite functional and described the building as a "theatrical piece of sculpture". Millett wrote that the building's interior rooms—the offices, the radio and television studios, and the theaters—are all apparent in the building's external features.
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