Randy Parsons

Randy Parsons is an American luthier whose client list includes Jack White, Jimmy Page, Sammy Hagar, Death Cab for Cutie, Peter Frampton, Joe Perry, and Modest Mouse.

Parsons has a reputation for using hand tools and traditional methods of guitar building in order to make his work more authentic and personal. His approach is to treat each new guitar like it's a one-of-a-kind sculpture, and he embraces construction techniques used in the '50s, '60s and '70s. He does not use newer technologies such as CNC machines, plek and fret machines. He is also known for using atypical items in his guitars, such as bones, skulls and other organic materials. Parsons created a line of high-end electric guitars built from recycled car tires, newspapers, non-endangered woods and ceramics.

Parsons creates unique finishes and treatments on his guitars. Parsons used peach colored rose petals that were dried in books and painstakingly applied to the guitar body for the model known as Peach Thief, which was built for singer/songwriter Karen Elson.

Despite starting with no training as a luthier, he has built a business with five different shops. Until 2013 he worked out of his main shop in Seattle, which was run by five women, three of whom are luthiers. In August 2013, Parsons moved with his main shop to Ventura, California.

Parsons has made 5 guitars for Jack White. White hired Parsons to have a custom Gretsch guitar made rather than working directly with the Gretsch Guitar Company. White wanted the color of the guitar to be copper for the Raconteurs. White's ideas were integrated into the guitar which would be known as the Triple Jet. The original guitar was painted a copper color. Parsons later suggested using a real copper top. Parsons built the Triple Jet III, which is now White’s number one guitar.

Parsons and White are featured in the documentary "It Might Get Loud," directed by Davis Guggenheim. A modified Gretsch Anniversary Jr. production model is introduced in the movie, which represents an interesting collaboration between White as a creative musician, and Parsons as a guitar builder. Parsons installed a coil from an industrial vacuum cleaner in this guitar named The Green Machine, so that the body could hold a retractable green bullet microphone that White pulls out to sing into.

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