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Rainy Day Music

Rainy Day Music
The Jayhawks Rainy Day Music Cover Art.jpg
Studio album by The Jayhawks
Released April 8, 2003
Recorded Sunset Sound Recording Studio, Los Angeles, CA
Genre Alternative rock, alternative country
Length 50:51
Label American, Lost Highway
Producer Rick Rubin (exec.), Ethan Johns
The Jayhawks chronology
Smile
(2000)
Rainy Day Music
(2003)
Music from the North Country – The Jayhawks Anthology
(2009)
Professional ratings
Aggregate scores
Source Rating
Metacritic 73/100
Review scores
Source Rating
AllMusic 3/5 stars
Entertainment Weekly B+
The Guardian 4/5 stars
Mojo 3/5 stars
Pitchfork Media 6.1/10
Rolling Stone 4/5 stars
Spin B
Uncut 4/5 stars

Rainy Day Music is the seventh studio album by American rock band The Jayhawks, released on April 8, 2003. It debuted on the Billboard 200 at number 51, selling 19,000 copies that week.

At the time of the recording, The Jayhawks consisted of the trio of Gary Louris and long-time members Marc Perlman and Tim O'Reagan. New guitarist Stephen McCarthy replaced guitarist Kraig Johnson. The initial release included a bonus CD of six songs, including a solo live performance by Louris of "Waiting For the Sun", the lead-off track of the group's 1992 album Hollywood Town Hall, on April 26, 2002 at The Woman's Club, Minneapolis, MN.

Guests on the album included Bernie Leadon, Jakob Dylan and Matthew Sweet.

Rainy Day Music received generally positive reviews from critics.Dirty Linen described the album as "a low-key effort that features delicate harmonies, recalling California relatives such as Poco and the post-Gram Parsons Burrito Brothers".Uncut called the album "all acoustic guitars, rich jangling melodies and heavenly harmonies" and wrote that Gary Louris "has come up with some of his most memorable compositions."Will Hermes of Entertainment Weekly described it as "folk-rock laced with banjos, accordions, and pedal steel" and "the roots move one suspects fans have wanted for years, its classic rock flavor echoing the Byrds, CSNY, and Poco".Mojo wrote that "their new-found economy makes for some pretty lovely highpoints" and that "Louris is unquestionably a virtuoso, playing his parts with a decorous restraint, and contributing cooing, affectingly human vocals."


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